War Classics

Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naivete of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films. ~ Mark Deming, All Movie Guide

Robert Francis is at the center of the story as Willis Keith, a newly minted ensign assigned to the U.S.S. Caine. Keith has an uneasy relationship with his skipper, Lt. Comdr. DeVries (Tom Tully), partly through his own ineptitude and as a result of his disapproval of the slovenly way DeVries seems to run the ship. He looks forward to the arrival of a new captain, Lt. Comdr. Philip Francis Queeg, portrayed by Humphrey Bogart. Queeg is a tough, no-nonsense veteran officer who turns the crew into proper sailors and the Caine into a tight ship, engendering resentment from some of the men and several of his officers. Queeg, a veteran of difficult years of service for too long, has insecurities about himself, his command, and his career that begin to manifest themselves as out-of-control spells of temper over small details that cause him to make mistakes. Lt. Keefer (Fred MacMurray), the glib-tongued communications officer, spots the signs of neurosis in the captain's behavior. When, because of Queeg's temper, the Caine steams over its own tow-line on a routine target-towing assignment, the captain is pushed into irrational behavior in trying to explain it away. When he leaves a Marine landing craft that the ship is escorting too far from the beach in the middle of combat, Queeg becomes almost irrational in trying to erase the seeming cowardice he has shown. The ship's dedicated first officer, Lt. Steve Maryk (Van Johnson), hears Keefer's suggestion that the captain may be mentally unbalanced, but does not entertain the thought until Queeg orders the ship turned upside down over pilfered strawberries. During a typhoon that threatens to sink the ship, Queeg's inability to deal with the crisis at hand forces Maryk to assume command, with Keith's support as officer-of-the-deck, thus bringing about the court martial of the two officers. Greenwald (Jose Ferrer), a pilot and lawyer in civilian life, reluctantly agrees to help them, mostly out of sympathy for the impossible predicament in which Maryk has found himself caught up. In testifying for the defense, Keefer covers up his role in fomenting the crisis, denying ever having suggested that the captain was unbalanced. Maryk comes off as sincere but hopelessly out-of-his-depth at the trial, and Keith too inexperienced and callow to have made the kinds of decisions forced on him. Finally, Queeg is called as a witness, and Greenwald destroys his credibility on the stand by going over each questionable incident, one by one, bringing out the officer's defensiveness until he finally reveals his instability. Greenwald confronts the Caine's officers at their "victory" party, criticizing them for their foul treatment of Queeg, and their failure to offer him the loyalty and support that he was entitled to as captain, and which would likely have averted his breakdown in the first place. ~ Bruce Eder, All Movie Guide

Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naivete of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films. ~ Mark Deming, All Movie Guide

The first of two consecutive films to see director Peter Weir team with Mel Gibson (the other being The Year of Living Dangerously), Gallipoli follows two idealistic young friends, Frank (Gibson) and Archy (Mark Lee), who join the Australian army during World War I and fight the doomed Battle of Gallipoli in Turkey. The first half of the film documents the lives of the young men in Australia, detailing their personalities and beliefs. The second half of the movie chronicles the ill-fated and ill-planned battle, where the Australian and New Zealand Army Corps is hopelessly outmatched by the enemy forces. Gallipoli was the recipient of eight prizes at the 1981 Australian Film Institute Awards. ~ Matthew Tobey, All Movie Guide

The second of three films by co-writer/director Oliver Stone to explore the effects of the Vietnam War (Platoon and Heaven and Earth are the others), Born On The Fourth Of July tells the true story of Ron Kovic (Tom Cruise), a patriotic, All-American small town athlete who shocks his family by enlisting with the Marines to fight in the Vietnam War. Once he is overseas, however, Kovic's gung-ho enthusiasm turns to horror and confusion when he accidentally kills one of his own men in a firefight. His downfall is furthered by a bullet wound that leaves him paralyzed from the chest down. He returns home, spends an appalling, nightmarish stint in a veterans' hospital, and follows an increasingly disillusioned and fragmented path that ultimately leaves him drunk and dissolute in Mexico. However, Kovic somehow turns himself around and pulls his life together, becoming an outspoken anti-war activist in the process. The film is long but emotionally powerful; many consider it Stone's best work and Cruise's best performance. Both were nominated for Oscars, as was the film itself, but only Stone, who co-wrote the film with Kovic from the latter's book, won for Best Director. ~ Don Kaye, All Movie Guide

Based on J.G. Ballard's autobiographical novel, Empire of the Sun stars Christian Bale as a spoiled young British boy, living with his wealthy family in pre-World War II Shanghai. During the Japanese invasion, Bale is separated from his parents. With the help of soldier-of-fortune John Malkovich, Bale learns to survive without a retinue of servants at his beck and call. By the time Malkovich and Bale are tossed into a Japanese prison camp, the boy has picked up enough street-smarts and developed enough intestinal fortitude to regard his imprisonment as an exciting adventure. The story ends during the 1945 liberation: on the verge of manhood, the 13-year-old Bale will never again be the pampered, privileged brat whom we met in the early scenes. ~ Hal Erickson, All Movie Guide

This 25-million dollar epic collaboration accurately recreates the events that led to the Japanese attack on the American naval base during World War II. With Germany's invasion of Poland on September 1, 1939, the wheels are set in motion by Japan to plan the attack. After internal differences in the government, the Japanese quickly mobilize plans for the assault. Key American personnel ignored warnings of the possibility of Japanese aggression. The first part of the film divides scenes from both countries. Part two contains spectacular battle scenes of the bombing that destroyed the American naval base of operations in Hawaii. Governmental errors on both sides add to the confusion, but the Japanese ultimately carry out the deadly mission. The film did well in Japan, did not do well in the he United States, and took years to make back the production costs. It remains an insightful and well crafted World War II action drama that was the result of years of negotiations between the two countries. ~ Dan Pavlides, All Movie Guide

Director Robert Aldrich took what he considered a hopelessly old-fashioned script by Lukas Heller and Nunnally Johnson and fashioned The Dirty Dozen into one of MGM's biggest moneymakers of the 1960s--and the sixth highest-grossing film in the studio's history. Lee Marvin plays Major Reisman, assigned to coordinate a suicide mission on a French chateau held by top Nazi officers. Since no "normal" GI can be expected to volunteer for this mission, Reisman is compelled to draw his personnel from a group of military prisoners serving life sentences. This "dirty dozen" includes a sex pervert (Telly Savalas), a psycho (John Cassavetes), a retarded killer (Donald Sutherland), and the equally malevolent Charles Bronson, Trini Lopez, Jim Brown, and Clint Walker. On the dim promise of receiving pardons if they survive, the criminals undergo a brutal training program, then are marched behind enemy lines dressed as Nazi soldiers, the better to overtake the chateau and kill everyone in it--including the innocent wives and mistresses of the German officers. ~ Hal Erickson, All Movie Guide

From director Allan Dwan, Sands of Iwo Jima is a drama set during the Second World War and follows John Stryker (John Wayne), a relentlessly tough Marine sergeant as he trains a squad of naive, rebellious recruits at a New Zealand military station in 1943. Recently left by his wife, Stryker has become exceedingly bitter and tough, leading his contemporaries to question his behavior and his men to dislike him for his harsh training methods. The wisdom of Stryker's ways, however, is demonstrated when they fight in the legendary battle of Iwo Jima. Using footage of real WWII battles, the Sands of Iwo Jima features John Wayne's first Academy Award-nominated performance, though Broderick Crawford ultimately won the 1950 Best Actor prize. ~ Matthew Tobey, All Movie Guide

Inglorious Bastards was the alternate title for the Italian adventure yarn Counterfeit Commandos. The main characters are five soldiers facing court-martial in World War II France. The quintet consists of Bo Svenson, Fred Williamson, Peter Hooten, Michael Pergolami and Jackie Baseheart. The men escape, heading to the safety of the Swiss border; along the way, they pull off several random acts of above-and-beyond heroism. ~ Hal Erickson, All Movie Guide

Frank Sinatra took over the directors' chair for the first (and only) time in this unusual WWII drama. Lt. Kuroki (Tatsuya Mihashi) is the leader of a Japanese platoon stranded on a remote Pacific island, where with an iron hand he oversees the construction of a rescue ship. An American plane crash-lands on the island, leading to a skirmish between the two rag-tag legions; eventually, both sides call a truce, and medical officer Maloney (Sinatra) treats a Japanese soldier who was seriously wounded in the fighting. American commander Capt. Bourke (Clint Walker) and Lt. Kuroki come to an agreement -- they will work together to bring needed help to the island, but once either side's forces reach them, the fighting will pick up where it left off. None But the Brave was an international co-production of Artanis Productions (Sinatra's production company -- "Artanis" is Sinatra backwards), Warner Brothers, Tokyo Eiga, and Toho. ~ Mark Deming, All Movie Guide

The Hill was unfairly subjected to ridicule by the more obtuse "critics" of 1965 who harped on the fact that it starred Sean Connery and, unlike Connery's Bond pictures, had no women in it. Bypassing these cretinous comments, it must be noted that The Hill is an above-the-norm entry in the "military prison" genre. The film takes place during World War II, in a Libyan stockade for incorrigible British soldiers. The camp's brutal Sergeant Major (Harry Andrews) puts his charges to work on grueling, monotonous and pointless projects to break their spirits. When one rebellious inmate dies due to this treatment, the Sergeant Major is reprimanded by Joe Roberts (Connery), who has been appointed as the prisoners' spokesman. The result is that Roberts is likewise subjected to the most demeaning and humiliating of prison chores -- but his spirit, and that of his comrades, is not so easily crushed. Based on a TV play by Ray Rigby, The Hill should never be seen in any form other than its dusty, parched original black-and-white; the currently available colorized version is a crime against humanity. One problem: The British dialects in the first 20 minutes are so thick that an American viewer practically needs subtitles (British critics chalked this problem up not to elocution but to poor sound recording). ~ Hal Erickson, All Movie Guide