Foreign Classics

Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess' novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and raping his wife while jauntily warbling "Singin' in the Rain." After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide

Shaolin Soccer and Kung Fu Hustle director Stephen Chow returns to the helm for this sci-fi comedy about a struggling single father whose quest to find the perfect toy yields out-of-this-world results. Ti (Chow) is a poor construction worker who breaks his back to ensure that his young son Dicky (Xu Jiao) can stay enrolled in an exclusive private school. But while Ti does everything possible to give his son the opportunities that he never had, Dicky still feels like a classroom reject due to his tattered clothes and lack of the latest toys. Dicky's classmates all play with the coolest and most expensive gadgets that money can buy, so how is a kid who gets his toys from the local junkyard ever supposed to fit in? One day, while scrounging through the trash heap in search of a new toy, Ti discovers a mysterious orb and brings it straight back to Dicky. Though at first the "CJ7" appears to be little more than an unidentifiable oddity, it proves to be much, much more once the young boy starts to play with it. This isn't your average action figure, but a living "pet" with extraordinary powers. Realizing that his new toy may be just the thing to help him fit in with his demanding classmates, Dicky brings the CJ7 to school with him in order to show it off and have some fun. But the CJ7 has its own ideas about how to have fun, and it isn't long before the situation at school gets hopelessly out of hand. ~ Jason Buchanan, All Movie Guide

The gritty underbelly of New York's complex, ethnically divided criminal world is exposed in this dark drama from director Abel Ferrara. Christopher Walken stars as Frank White, a drug lord who's just been released from a long stint in prison. Aware that feeding off of society's depravity has made him a wealthy man, Frank has become determined to give something back to the city, and he hatches a scheme to build a multimillion-dollar public hospital in one of Brooklyn's worst ghetto neighborhoods. Needing the assistance of his fellow criminals to pull it off, Frank and his adjutant Jimmy Jump (Laurence Fishburne) encounter a wall of resistance from every faction, including drug-trade partner Lance Wong (Joey Chin) and temperamental cop Dennis Gilley (David Caruso). Frank's do-gooder efforts ultimately result in a Mob war and in a bloody showdown between the city's various ethnic criminal actions. Ferrara followed King of New York with a similarly themed film that many critics considered his masterpiece, Bad Lieutenant (1992). ~ Karl Williams, All Movie Guide

Heather Graham, Mia Kirshner, and Tom Ellis star in director Eric Styles' romantic comedy concerning a 33-year-old woman who realizes that her longtime partner doesn't want to have children. Determined to reproduce regardless, the woman recruits her reluctant best friend to find her the right man for the job. ~ Jason Buchanan, All Movie Guide

This blend of comedy and historical adventure from Hong Kong stars Stephen Chiau as a trusted advisor of the emperor, while Cheung Man plays the leader of a sect out to stop the imperial forces. ~ Mark Deming, All Movie Guide

A criminal scheme gone wrong is just the start of a string of life-threatening bad luck in this darkly comic thriller. David (Andy Serkis) and Peter (Reece Shearsmith) are a pair of second-rate criminals who are eager to make a big score and think they've come up with the formula for a perfect crime. David works for a wealthy local businessman named Arnie who dotes on his teenaged stepdaughter Tracey (Jennifer Ellison), and so with the help of Arnie's slacker son Andrew (Steven O'Donnell), he and Peter kidnap the girl and demand a hefty ransom for her safe return. But Tracey puts up far more of a fight than David and Peter ever expected, and when Andrew picks up the ransom only to discover they've been given a decoy instead of cash, the would-be kidnappers have no clue what to do next. But this problem seems like small potatoes when the owner of the seemingly abandoned cottage where they're holed up unexpectedly returns -- he turns out to be a hideously deformed lunatic with a murderous temper and a bitter hatred of trespassers. ~ Mark Deming, All Movie Guide

Released as Three Wishes for Cinderella in the US, Tri Orisky Pro Popelku has been a Christmas tradition in the Czech Republic since its original release in 1973, and also enjoys a large fan base in Germany. Based on the story by Bozena Nemcova, director Vaclav Vorlicek retells the classic Cinderella fairy tale with modern-day socialist feminism. Popelka (Libuse Safrankova) is a servant in the house of her stepmother (Carola Braunbock). A resourceful and independent young girl, she confides her closest friend the owl. When she comes across three magical acorns, she is granted a single wish for each one of them. She meets the Prince (Pavel Travnicek) in the woods and competes with him in sharpshooting and matches his wit in riddles. After disguising herself in hunting outfits, she makes her final wish for a beautiful wedding dress. ~ Andrea LeVasseur, All Movie Guide

In honor of the 100th anniversary of the invention of film, Toho studios produced this remake of Chushingura, a paean of feudal devotion and one of the most retold tales in all of Japanese cinema. Legendary filmmaker Kon Ichikawa reworks this old chestnut by trying find a psychological truth in the characters and the historical truth of the time period. Set in the spring of 1704, Kuranosuke Oishi (Ken Takakura) is the retainer of lord Naganori Asano. While in far-off Edo (pre-modern Tokyo), Asano drew his sword against Lord Kira. Contrary to usual practice, Asano was beheaded for his indiscretion while Kira -- who is well connected with the powerful Uesugi clan and the Shogun himself -- is spared. Sensing that justice has not been served, Oishi starts to organize the other retainers and plot revenge -- even though such an act means certain death for all involved. The chief retainer for Uesugi named Matashiro Irobe (Kiichi Nakai) tries to buy off as many of Asano's former samurais as possible. ~ Jonathan Crow, All Movie Guide

Based on a novel by Evelyn Waugh, Handful of Dust is set amongst Britain's aristocracy of the 1930s. At sumptuous Hetton Abbey, tradition-bound country squire James Wilby and his wife Kristin Scott Thomas open their doors to well-connected but impoverished Rupert Graves. Graves returns Wilby's hospitality by having an affair with Scott Thomas, while Wilby gamboles about his estate without a clue of what is going on. Wilby's cloistered world comes tumbling down when Scott Thomas coolly demands a divorce, shortly after the accidental death of their young son. Wilby discovers that his divorce settlement will cost him Hetton Abbey; he faces this circumstance by not facing it at all, preferring to escape to South America, stiff upper lip intact, in the company of a dotty explorer. ~ Hal Erickson, All Movie Guide

A Passage to India, director David Lean's final film (for which he also received editing credit), breaks no new ground cinematically, but remains an exquisitely assembled harkback to such earlier Lean epics as Doctor Zhivago and Ryan's Daughter. Based on the novel by E. M. Forster, the film is set in colonial India in 1924. Adela Quested (Judy Davis), a sheltered, well-educated British woman, arrives in the town of Chandrapore, where she hopes to experience "the real India". Here she meets and befriends Dr. Aziz (Victor Banerjee), who, despite longstanding racial and social taboos, moves with relative ease and freedom amongst highborn British circles. Feeling comfortable with Adela, Aziz invites her to accompany him on a visit to the Marabar caves. Adela has previously exhibited bizarre, almost mystical behavior during other ventures into the Indian wilderness: this time, she emerges from the caves showing signs of injury and ill usage. To Aziz' horror, he is accused by Adela of raping her. Typically, the British ruling class rallies to Adela's defense, virtually convicting Aziz before the trial ever begins. Though he is eventually acquitted due to lack of evidence (in fact, director Lean never shows us what really happened), Aziz is ruined in the eyes of both the British and his own people-as is Adela. Woven into these proceedings is a subplot involving Adela's elderly travelling companion Mrs. Moore (Peggy Ashcroft), who through a series of plot twists too complex to describe here becomes a heroine of the Indian Independence movement. A Passage to India was nominated for several Academy Awards, scoring wins in the categories of Best Supporting Actress (Peggy Ashcroft) and Best Original Score (Maurice Jarre). A theatrical version of A Passage to India, written by Santha Rama Rau, was previously adapted for television by the BBC in the mid-1970s. ~ Hal Erickson, All Movie Guide

In this ironic Polish seriocomedy, Tomek (Olaf Lubaszenko), a young shy postal worker, worships Magda (Grazyna Szapolowska) from afar -- literally, peering at her through spyglasses. She shatters his illusions about pure, ideal love by stating matter-of-factly that she believes only in sex. Despondent, he tries to forget her, and when this fails, he attempts to kill himself. Upon recovering from his botched suicide, Tomek is amazed to learn that Magda has become hopelessly infatuated with him. ~ Hal Erickson, All Movie Guide

Kung fu star and choreographer Corey Yuen spins this vigilante flick featuring Yuen Biao as Hsia Ling-ching, a court prosecutor who is sick of watching the criminal and the corrupt waltz away from justice. After knocking off well-connected drug pushers and underworld denizens, Hsia finds himself not only tailed by determined cop Cindy (played by American kung fu diva Cynthia Rothrock but also pursued by a number of hired guns contracted by crooked gumshoe Sergeant Wong (Melvin Wong. Soon Hsia is scaling building, battling baddies and clinging to helicopters. Roy Chiao Hung and Wu Ma also appear. ~ Jonathan Crow, All Movie Guide

In Alphaville, Jean-Luc Godard fuses a hardboiled detective story with science fiction. Lemmy Caution (Eddie Constantine), a hero Godard borrowed from a series of French adventure films, comes to Alphaville, the capital of a totalitarian state, in order to destroy its leader, an almost-human computer called Alpha 60. While on his mission, Lemmy meets and falls in love with Natacha (Anna Karina), the daughter of the scientist who designed Alpha 60. Their love becomes the most profound challenge to the computer's control. Void of any flashy special effects, Alphaville uses 1960s Paris to depict the city of the future. ~ Matthew Tobey, All Movie Guide