Classics Featured Lists

An outsider teen acclimating to a new school finds a home in a reclusive teenaged fight club in this drama from Cry_Wolf director Jeff Wadlow. Jake Tyler (Sean Faris) has just moved with his family to Orlando, FL. While Jake isn't exactly comfortable being the new kid in town, his younger brother, Charlie (Wyatt Smith), is an aspiring professional tennis star who might just have what it takes to break big. But Charlie isn't the only talented athlete in the family, because Jake used to be something of a hotshot on the gridiron -- at least back home. Here in Orlando, Jake is considered something of a hothead thanks to his penchant for brawling. In an attempt to better fit in with his new classmates, Jake accepts flirtatious classmate Baja's (Amber Heard) invitation to a raucous party. There, the short-fused newcomer is lured into a fight and badly beaten by local bully Ryan McCarthy (Cam Gigandet). But a beam of hope shines through the humiliation when a classmate who sees potential in the defeated fighter informs Jake of a local MMA (Mixed Martial Arts) program run by Jean Roqua (Djimon Hounsou). Despite Jake's preconceived notions regarding MMA, he quickly discovers that it's not just another form of street fighting but a rich new art form that he longs to master. As Roqua takes Jake under his tutelage, it soon becomes apparent that in order to become a true MMA champion, Jake will have to learn patience, discipline, willingness, and reason. This isn't just a quest for revenge, but an opportunity for Jake to finally find out what kind of man he truly is. ~ Jason Buchanan, All Movie Guide

Commercial director Noam Murro makes the leap to feature films with this comedy drama concerning an aging professor-turned-bitter eccentric due to the death of his longtime wife. Ever since his wife passed away, Lawrence Wetherhold (Dennis Quaid) has become overly acerbic and self-absorbed. He's alienated his son (Ashton Holmes) and transformed his daughter (Ellen Page) into a friendless overachiever. Now, at the precise moment Lawrence thought he had finally figured it all out, his life comes crashing down all around him as he falls for a former student (Sarah Jessica Parker) and his shiftless adopted brother (Thomas Haden Church) comes knocking on the door in search of a place to stay. Though Lawrence always relied on his intelligence to get him out of life's little jams in the past, it's going to take quite a bit more than intellectual thinking to move past this sticky stage in his suddenly chaotic life. David Denman and Christine Lahti co-star in this romantic comedy drama, which serves as the screenwriting debut of Goats and Modern Ranch Living author Mark Jude Poirier. ~ Jason Buchanan, All Movie Guide

Director Jon M. Chu takes the helm for this Step Up sequel set at the Maryland School for the Arts and following the journey of a rebellious street dancer who struggles to fit in at the prestigious school. Andie (Briana Evigan) may show great promise as a dancer, but she just can't seem to let go of her old life and get a fresh start. With Baltimore's hottest underground dance contest looming on the horizon, Andie joins forces with top dancer Chase (Robert Hoffman) while simultaneously helping to sharpen the skills of her outcast classmates. Perhaps if Andie, Chase, and their talented team of misfit dancers can earn the top slot at The Streets, the troubled new arrival can finally make her dreams a reality while also letting go of the past, and bounding confidently forward into the future. ~ Jason Buchanan, All Movie Guide

Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess' novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and raping his wife while jauntily warbling "Singin' in the Rain." After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide

A young pig fights convention to become a sheep dog -- or, rather, sheep pig -- in this charming Australian family film, which became an unexpected international success due to superior special effects and an intelligent script. The title refers to the name bestowed on a piglet soon after his separation from his family, when he finds himself on a strange farm. Confused and sad, Babe is adopted by a friendly dog and slowly adjusts to his new home. Discovering that the fate of most pigs is the dinner table, Babe devotes himself to becoming a useful member of the farm by trying to learn how to herd sheep, despite the skepticism of the other animals and the kindly but conventional Farmer Hoggett (James Cromwell). Because technically impeccable animatronics and computer graphics allow the farm animals to converse easily among themselves, first-time director Chris Noonan can treat the film's menagerie as actual characters, playing scene not for cuteness but for real emotions. The result is often surprisingly touching, with Noonan and George Miller's script, based on Dick King-Smith's children's book and, indirectly, a true story, seamlessly combining gentle whimsy and sincere feeling. These same qualities are embodied by in Cromwell's beautifully understated performance as Farmer Hoggett, which anchors the film. Despite its unlikely premise and low profile, Babe's inspirational story was embraced by audiences and critics, and the movie became an international sleeper that won an Academy Award nomination for Best Picture. It was followed in 1999 by the less successful Babe: Pig in the City. ~ Judd Blaise, All Movie Guide

This rental contains both Babe and Babe: Pig in the City

Shaolin Soccer and Kung Fu Hustle director Stephen Chow returns to the helm for this sci-fi comedy about a struggling single father whose quest to find the perfect toy yields out-of-this-world results. Ti (Chow) is a poor construction worker who breaks his back to ensure that his young son Dicky (Xu Jiao) can stay enrolled in an exclusive private school. But while Ti does everything possible to give his son the opportunities that he never had, Dicky still feels like a classroom reject due to his tattered clothes and lack of the latest toys. Dicky's classmates all play with the coolest and most expensive gadgets that money can buy, so how is a kid who gets his toys from the local junkyard ever supposed to fit in? One day, while scrounging through the trash heap in search of a new toy, Ti discovers a mysterious orb and brings it straight back to Dicky. Though at first the "CJ7" appears to be little more than an unidentifiable oddity, it proves to be much, much more once the young boy starts to play with it. This isn't your average action figure, but a living "pet" with extraordinary powers. Realizing that his new toy may be just the thing to help him fit in with his demanding classmates, Dicky brings the CJ7 to school with him in order to show it off and have some fun. But the CJ7 has its own ideas about how to have fun, and it isn't long before the situation at school gets hopelessly out of hand. ~ Jason Buchanan, All Movie Guide