John Cusack

A writer renowned for debunking infamous paranormal events is confronted by a force that he cannot explain upon checking into room 1408 of the notoriously haunted Dolphin Hotel. Mike Enslin (John Cusack) is an author who specializes in horror, but who only believes in what he can see with his eyes and touch with his hands. Having constructed an entire career on his ability to dispel superstitious "haunted house" rumors, Mike is convinced that the afterlife is a manmade construct designed to offer false comfort to the weak minded. Mike's latest project is a book entitled "Ten Nights in Haunted Hotel Rooms," and it seems that in room 1408 of the Dolphin Hotel, this skeptical scribe may finally find proof of the supernatural. Implored by the hotel manager (Samuel L. Jackson) not to enter room 1408, Mike defiantly procures the key and prepares to dispel yet another spectral sham. Now, as is the case with many of life's most profound epiphanies, the writer who thought he knew it all is caught entirely off guard at the precise moment he least expected it. Subsequently faced with undeniable proof of an afterlife, Mike may have a best-seller on his hands if he can simply survive until sunrise. Mary McCormack and Jasmine Jessica Anthony co-star in director Mikael H?fstrom's (Derailed) adaptation of an original short story by horror icon Stephen King. ~ Jason Buchanan, All Movie Guide

Studio mogul Joe Roth returns to his roots as a director with this romantic comedy co-written by Billy Crystal and starring Roth's longtime friend Julia Roberts. Crystal stars as Lee, a studio publicist desperately trying to keep several facts secret from reporters during a high-profile motion picture's press junket. Among the developments that Lee is trying to obscure from view: the film's eccentric director (Christopher Walken) has essentially hijacked the $87 million movie and isn't allowing anyone to view it. Also, the film's high-profile, real-life married co-stars Gwen Harrison (Catherine Zeta-Jones) and Eddie Thomas (John Cusack) have acrimoniously split since filming (over Gwen's adulterous affair with Latin lover Hector (Hank Azaria). Lee has led the press to believe that reconciliation is imminent, when in fact Gwen hates Eddie more than ever. Lee's secret weapon in his campaign of misinformation is Gwen's long-abused sister Kiki (Julia Roberts), who works as the pampered star's personal assistant while secretly pining for Eddie, who might just notice Kiki now that she's lost 60 pounds. America's Sweethearts co-stars Alan Arkin, Seth Green, and Stanley Tucci. ~ Karl Williams, All Movie Guide

Would you pay money to journey into the mind of the star of Con Air, The Killing Fields, and In The Line of Fire? Puppeteer Craig Schwartz (John Cusack) is having money problems, so he takes a temporary job as a file clerk on the seventh-and-a-half floor of a large office building. One day, while rummaging behind a cabinet, he finds a small door that leads to the center of the mind of actor John Malkovich (played by, you guessed it, John Malkovich). Craig discovers that entering the portal allows him to become John Malkovich for a brief spell, and in time he and his beautiful but aloof co-worker Maxine (Catherine Keener) get the bright idea to charge admission for the privilege of spending 15 minutes inside the head of a well-known actor. Malkovich realizes that something strange is happening to him, but can do little to stop it, as strangers take over his mind for a quarter-hour at a time. Craig's wife Lotte (Cameron Diaz) eventually takes a trip into Malkovich's psyche, and she soon finds herself in love with Maxine, with whom Malkovich has an affair; meanwhile, Maxine in time becomes infatuated with both Craig and Lotte, but only when they're inside Malkovich. Being John Malkovich marked the feature-length debut of director Spike Jonze, who previously made acclaimed music videos for Weezer, The Beastie Boys, and The Breeders, among others. ~ Mark Deming, All Movie Guide

In the tradition of This Is Spinal Tap, producer/ director/ star Tim Robbins' Bob Roberts is a satire disguised as a documentary. Robbins plays the titular Roberts, a wealthy, well-connected young man running for a senatorial seat in Pennsylvania. On the surface, Roberts is an ingratiating glad-hander, a sincere believer in the restoration of such intangibles as national pride, family values, etc. But the longer Roberts is followed about by documentary filmmaker Brian Murray, the more we become aware that the candidate is a textbook case of cynicism and contempt. Only Giancarlo Esposito, a reporter for an underground newspaper, is willing to dig beneath Roberts' veneer--a habit that leads to the film's ironic conclusion. Several well-known actors make cameo appearances as TV commentators, notably Tim Robbins' longtime partner Susan Sarandon. Bob Roberts started out as a Tim Robbins-directed short subject for the TV series Saturday Night Live, then was expanded into a $4 million feature. ~ Hal Erickson, All Movie Guide

Writer/director/producer James L. Brooks scores on all counts with this clear-eyed look at the television news business and the dysfunctional types who work in it. Brooks' intelligent script introduces us to Jane Craig (Holly Hunter), an ambitious producer at the network news division's Washington D.C. branch, who is calm under fire yet has a good cry at her desk every morning over her empty personal life. Jane works well with Aaron Altman (Albert Brooks), an excellent reporter who lacks the visual charisma to make him a star. Into their lives comes Tom Grunick (William Hurt), a regional newscaster who admits he can't write news and doesn't understand many of the events he's covering, but has the presence and physical appeal that the increasingly entertainment-oriented network wants for its news programs. Jane is also physically attracted to him, which drives her crazy, because Grunick stands for everything she's fighting against in the news business, while Altman is devastated by her attraction because he secretly yearns for Jane. As Grunick becomes a rising star at the network, and layoffs of the old guard loom, the three leads deal with their feelings for each other, their careers, and their values. Hunter, Hurt, and Brooks are all superb, as is the excellent supporting cast (including an unbilled turn by Jack Nicholson as the network's smarmy national anchor). Brooks' script is funny, poignant, gritty, and brutally honest in its examinations of the television industry and the ways in which professionals interact on and off the job. ~ Don Kaye, All Movie Guide

Actor Nick Nolte narrates this detailed look at the life and career of Hunter S. Thompson - the late, great Gonzo journalist whose outrageous exploits inspired such films as Where the Buffalo Roam, Fear and Loathing in Las Vegas, and The Rum Diaries. A true American original, Thompson was a writer whose depraved exploits were only exceeded by his extraordinary prose. In this documentary, the recollections of Thompson's friends, family, colleagues, and various partners in crime paint a memorable portrait of the man behind the legend. Archival footage of Thompson himself makes this a must-have film for fans and journalism students alike. ~ Jason Buchanan, All Movie Guide

With a plot that is a cross between a teen, low-brow farce and a coming-of-age story, Class opens with scenes of two best friends -- nerdy whiz Jonathan (Andrew McCarthy) and carefree jock Skip (Rob Lowe) -- going around in lingerie; they also barf on a double date, break into a quiet meeting at a girls' school, and generally behave as emotional throwbacks. But when the nerd Jonathan is picked up in a Chicago bar by Skip's mother Ellen (Jacqueline Bisset), the tone changes completely. The affair between the student and the older woman is torrid until they rendezvous in New York and Ellen dumps Jonathan because she finds out he is not a Ph.D. candidate from Northwestern University. Meanwhile, Jonathan does not know who Ellen is until Skip brings him home for the Christmas holidays and the two clandestine, September-May ex-lovers come face to face with the truth. ~ Eleanor Mannikka, All Movie Guide

The sometimes rocky relationship between art and politics in America in the 1930s -- as well as the gulf between the wealthy and the struggling -- sets the stage for Tim Robbins' ambitious comedy-drama Cradle Will Rock. Pulling together a variety of threads from actual events, Robbins examines the lives and ambitions of a variety of creative mavericks and figures of power. Orson Welles (Angus Macfadyen) and John Houseman (Cary Elwes) are working with Marc Bliztstein (Hank Azaria) to stage the latter's leftist musical "The Cradle Will Rock" for the WPA-funded Federal Theater Project. After Congress cuts funding for the embattled Federal Theater over the perceived leftist slant of their presentations, the project is canceled on the day of its premier. Welles and his cast respond by marching 21 blocks from the theater where the show was to open to another venue where, in deference to Actors Equity regulations, they perform the entire show from the audience. A member of Welles' cast, Aldo Silvano (John Turturro), is a dedicated actor from Italy who is trying to resolve his attitudes about his family, who loyally support Mussolini, to Silvano's disgust. Meanwhile, El Duce's former mistress, Margherita Sarfatti (Susan Sarandon), is consorting with industrial tycoon Gray Mathers (Philip Baker Hall) -- whose wife, Contesse LaGrange (Vanessa Redgrave) is a friend and supporter of Welles' project. Elsewhere, Nelson Rockefeller (John Cusack) has hired expatriot Mexican artist Diego Rivera (Ruben Blades) to create a mural for his projected Rockefeller Center, but the two are soon locking horns over their different views on art, politics and the work at hand. And a ventriloquist fallen on hard times, Tommy Crickshaw (Bill Murray), finds himself trying to teach both comedy and speaking without lip movements to a pair of would-be performers at a WPA-backed vaudeville house. William Randolph Hearst (John Carpenter), Marion Davies (Gretchen Mol), Frida Kahlo (Corina Katt), and Olive Stanton (Emily Watson) are also woven into the tapestry of this historical epic, which premiered at the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

This lively collection of comedy vignettes makes fun of rabid Elvis fans and the King himself. ~ Sandra Brennan, All Movie Guide

Noted independent film producer Peter McCarthy made his writing and directing debut (Angie Brown served as co-director) with this surreal comedy. John Boyz (James LeGros) is an aimless sad sack who is wandering Los Angeles in the wake of the 1992 riots. John is in an unclear state of mind; he can't find a job (and doesn't really want one), the IRS has confiscated his money, his girlfriend Jessica (Lisa Zane) is sleeping around, he can't figure out what the beautiful but mysterious Elle (Marzita Rivera) wants from him, his drug-addicted brother Jimmy (Ethan Hawke) needs 3,000 dollars for a detox program, and police chief Merryl Fence (Nelson Lyon) is encouraging the citizens of L.A. to kill themselves. A stellar roster of actors and musicians appear in cameo roles, including John Cusack, Steve Buscemi, Billy Bob Thornton, Viggo Mortensen, Jeremy Piven, Dave Navarro, Dave Alvin, and Exene Cervenka. ~ Mark Deming, All Movie Guide

The contemplative, understated tearjerker Grace Is Gone dramatizes the quiet crisis that befalls Stanley (John Cusack), a young Midwestern husband of a female marine stationed in Iraq, and a father of two girls. Suddenly and unexpectedly widowed when his wife, Grace, is killed on the battlefield, Stanley cannot bring himself to share the devastating news with his two young daughters. In lieu of speaking to them immediately about their mother's death, Stanley internalizes his devastation and takes the girls on a road trip while he attempts to sort through a myriad of conflicted and tumultuous internal feelings about the war itself and contemplates how to break the shattering news. Inevitably, the road trip will end with Grace's funeral. This film represents the brainchild of producer/star Cusack and writer/director James C. Strouse. It began with Cusack's fury about the Bush administration's policy banning footage of caskets returning from the Iraq and Afghani wars, and his desire to see those events played out onscreen, in the lives of American citizens. ~ Nathan Southern, All Movie Guide

Most people have trouble deciding what to say when they're asked what they've been doing with their lives at a High School reunion, but Martin Blank (as played by John Cusack) has a different problem than most -- he has to make his career sound less interesting than it actually is. Martin is a former CIA operative who is now a freelance hit man, making good money for killing people he doesn't know. However, Martin's game has been a bit off lately; he's no longer happy in his work, and both his secretary Marcella (Joan Cusack) and his psychiatrist, Dr. Oatman (Alan Arkin), who is more than a bit nervous about having a hired assassin as a patient, think that Martin should accept an offered assignment in Grosse Pointe, Michigan, his old home town, which would conveniently coincide with his ten year high school reunion. While in Grosse Pointe, Martin discovers that his high school sweetheart, Debi Newberry (Minnie Driver), is still living in town, and still holds a grudge against him for standing her up on prom night. While Martin tries to sort out his past and tie up loose ends with Debi (whom he still loves), he discovers someone in Grosse Pointe is out to kill him; he's also confronted by the highly unstable Mr. Grocer (Dan Aykroyd), a fellow hit man who wants Martin to join forces with him and form a union and isn't keen on taking no for an answer. Grosse Pointe Blank was a pet project for star John Cusack, who co-wrote the screenplay and also served as co-producer. ~ Mark Deming, All Movie Guide

A man discovers that there's more to love than a good mixed tape in this dramatic comedy about music and relationships. Rob (John Cusack), an obsessive record collector in his mid-thirties, is struggling to reconcile his adolescent enthusiasm for pop music with adult responsibilities and a more mature outlook. He runs a record shop with his friends Barry (Jack Black) and Dick (Todd Louiso), who are known to drive away customers whose taste in music doesn't match their exacting standards -- which may have something to do with why the shop is losing money. But Rob's biggest problem is his failing relationship with Laura (Iben Hjejle), a lawyer who needs more out of the relationship than Rob is capable of giving. To Rob's horror, Laura starts dating Ian (Tim Robbins), his upstairs neighbor, known throughout the building for his long and noisy sex sessions. Rob, on the other hand, finds himself catching the attention of singer/songwriter Marie DeSalle (Lisa Bonet), as he tries to deal with his breakup by tracking down his previous ex-girlfriends and taking a fresh look at what he's been doing wrong. Based on the acclaimed novel by Nick Hornby, High Fidelity also features Catherine Zeta-Jones, Lili Taylor, and Joelle Carter as three of Rob's ex-lovers, and Sara Gilbert as Dick's new girlfriend, who gets a crash course in U.K. punk bands that influenced Green Day. ~ Mark Deming, All Movie Guide