Beah Richards

Jonathan Demme directed this adaptation of Toni Morrison's fact-based fifth novel (winner of a 1988 Pulitzer Prize), written in an experimental stream-of-consciousness flow and capturing the impact and aftermath of slavery on the human soul. In 1873, middle-aged Sethe (Oprah Winfrey) lives near Cincinnati with her teenage daughter, Denver (Kimberly Elise). She gets a surprise visit from her old friend Paul D (Danny Glover), whom she knew when they were both slaves on the Kentucky plantation Sweet Home. Paul D moves in, and a number of mysteries are introduced, including Sethe's memories of her dead older daughter and the fact that Sethe has been abandoned by her husband, two sons, and Denver's grandmother, Baby Suggs (Beah Richards). When a feral, insect-covered, stuttering teenager (Thandie Newton) turns up at Sethe's house, she is nursed back to health by Denver and called "Beloved." Violent flashbacks begin to explore shocking episodes from Sethe's past. (The film is rated R "for violent images, sexuality and nudity.") Hints of the supernatural surface as the question arises -- could Beloved be Sethe's older daughter, back from the dead? This film was a pet project of producer-star Oprah Winfrey, who spent over a decade bringing this work to the screen after she bought the film rights in 1987. With titles fashioned by leading poster/titles designer Pablo Ferro and music by Rachel Portman, director Demme filmed in a variety of locations, including Pennsylvania (Philadelphia Civic Center, Lancaster's Landis Valley Museum), Maryland (Fair Hill Natural Resources Area), and Delaware (Old New Castle). ~ Bhob Stewart, All Movie Guide

Despite orders from Hicks (CCH Pounder), Benton (Eriq La Salle) is determined to stay awake throughout a 48-hour shift, with potentially disastrous results. Elsewhere, a terminally ill patient (Sanford Meisner) is inadvertently given a brief "reprieve" by Carter (Noah Wyle). Ross (George Clooney) is surprised when Carol (Julianna Margulies) drops by -- during Ross' intimate dinner with Diane (Lisa Zane). And Greene (Anthony Edwards) may lose out on a terrific job opportunity if he can't iron out his domestic problems with Jenn (Christine Harnos). ~ Hal Erickson, All Movie Guide

Michael Ironside makes his first appearance as new ER chief Dr. William Swift, who immediately sets the staff on its ear with his bizarre management style and intense perfectionism. Meanwhile, the rivalry between med student Carter (Noah Wyle) and Deb (Ming-Na) reaches a new height of absurdity. Greene (Anthony Edwards) has a lot of trouble shaking his guilty feelings after the death of his pregnant patient Jodi O'Brien. And Benton (Eriq La Salle) must face the realization that his mother's days are numbered. ~ Hal Erickson, All Movie Guide

In this Emmy award-winning episode, Greene (Anthony Edwards) takes a potentially career-destroying risk after he misdiagnoses the condition of a woman (Colleen Flynn) and her unborn child. Although Greene's OR battle to save his patients' lives is the episode's focal point, several other subplots wend their way through the story. Among these is the ever-deteriorating condition of Benton's (Eriq La Salle) mother, and the accidental poisoning of young Joey Page (Theodore Borders). ~ Hal Erickson, All Movie Guide

A flustered Ross (George Clooney) covers for Greene (Anthony Edwards), who has called in sick so that he can spend some time with his wife, Jenn (Christine Harnos). Carol (Julianna Margulies) finds a kindred spirit in her newest patient, Jamie (Brigid Walsh), a suicidal rape victim. Benton (Eriq La Salle) reacts strangely when his mother (Beah Richards) is brought into the ER after injuring her ankle. And Carter (Noah Wyle) develops a crush on Lewis (Sherry Stringfield). ~ Hal Erickson, All Movie Guide

Season one of Hearts Afire takes place in Washington D.C., where transplanted Southerner John Hartman (John Ritter) has relocated as chief of staff to ultra-conservative Senator Strobe Smithers. Recently divorced and the father of two sons, Ben (Justin Burnette) and Elliott (Clark Duke), Hartman has developed a mile-long misogynistic streak, fueled by the calculated bitchery of Mavis Davis (Wendie Jo Sperber), the politically ambitious wife of his best friend and fellow senatorial aide Billy Bob Davis (Billy Bob Thornton), and by the vapidity of Senator Smithers' -- ahem -- secretary, the voluptuous Dee Dee Starr (Beth Broderick). But what has really turned John against the opposite sex is the fact that his wife has left him not for another man, but for another woman! Thus, when liberal journalist Georgie Anne Lahti (Markie Post), broke and jobless after years of circling the globe and filing left-of-center news reports, comes to Smithers' office hoping to sign on as his press secretary, John's first instinct is to boot her out. But despite this, and the vituperative political arguments between the two of them, John agrees to let Georgie Anne have the job, and Georgie Anne, against her better judgment accepts. The reason? John has the hots for Georgie Anne -- and the feeling is mutual! Circumstance dictates that Georgie Anne move into the house occupied by John and his sons, which only intensifies the torrid feelings between the two protagonists. Even the put-down pragmatism of Georgie Anne's childhood nanny Miss Lula (Beah Richards) does little to extinguish the flames, as does John's dismay over the fact that Georgie Anne's dad George (Ed Asner) is an ex-convict who shows no signs of wanting to mend his ways.
As originally conceived, John and Georgie Anne were to remain single, in hopes of stirring up the same "will they or won't they" intrigue that had added spice to such mismatched-couple series as Cheers and Moonlighting. But the executives at CBS were antsy over the unhitched status of the Hearts Afire protagonists, especially since the series was being seen in a relatively early Wednesday-night time slot. Under protest, producer Linda Bloodworth-Thomason agreed to make things more "family friendly" by having John and Georgie Anne get married before the first season was over -- and that was only the first of several radical changes in the series' concept. Surprisingly, despite Thomasons' well-known Washington connections, only one political figure appeared during the series' first season -- if "political figure" is the correct phrase to describe "Presidential brother" Roger Clinton! ~ Hal Erickson, All Movie Guide

In New Orleans, Jessica (Angela Lansbury) attends the funeral of a legendary jazz musician. She also gets involved in a murder investigation--this one twenty years old, stemming from the unsolved slaying of the late musician's sweetheart. Evidently the reopening of this case also opens a few old wounds, as proven when the musician's favorite bass player also turns up dead. This episode boasts a strong cast of top African American character actors, among them Beah Richards and Julius Harris. ~ Hal Erickson, All Movie Guide

The operative word in Drugstore Cowboy is "drug". Matt Dillon plays the leader of a group of dopeheads who wander around the country robbing pharmacies to feed their habits. Dillon's chums include doltish James Le Gros and teen-age junkie Heather Graham; also along for the ride is Dillon's wife Kelly Lynch. Their nemesis is cop James Remar, whom Dillon takes perverse delight in humiliating. When one of the young addicts dies of an overdose, it promps Dillon to try to go straight, a task complicated by wife Lynch's determination to stay high and by the corrupting presence of an ex-priest, played by Naked Lunch author William Burroughs. Drugstore Cowboy was director Gus Van Sant's breakthrough picture. ~ Hal Erickson, All Movie Guide

Jessica (Angela Lansbury) heads Southward to visit an old friend, celebrated playwright Eugene McLendon (Barry Nelson). Inevitably, a murder occurs: the victim this time is Eugene's crooked business manager Jonathan Keeler (Elliott Reid). Deciding to stay on and help out when Eugene is suspected of the murder, Jessica is startled when the ailing playwright suddenly proposes marriage! Among the special guest suspects in this episode is Lois Nettleton, doing a hilarious turn as a Southern stage star. ~ Hal Erickson, All Movie Guide

Season Four of Hunter begins as police detectives Hunter (Fred Dryer) and McCall (Stepfanie Kramer) investigate the seemingly motiveless murder of a skid-row derelict. It turns out that the "bum" was anything but, and that he had been deliberately targeted by a hit man. Despite the interferences of the Feds, Hunter is determined to get the whole truth--and to save the life of the hapless bag lady (Beah Richards) who witnessed the hit. ~ Hal Erickson, All Movie Guide

Agoraphobia (Greek for "fear of the marketplace") is the focus of this drama starring Elliott Gould as Jimmy Morgan. Morgan seems fairly well-adjusted considering that deeply afflicted agoraphobics live in fear and even terror of human relationships and other people; a fear of going outside is only one part of the illness. Yet Morgan controls his finances from home, has sexual partners brought in by an escort service, persuades his relatives to visit him, and gets his drugs via housecalls. This travesty of a seriously sick man is only allayed slightly when he lies to everyone and tries to disguise his inability to step outside his door (a common trait of agoraphobics). As Morgan loses friends, business investments, and a budding relationship with one of the escort women (Jennifer Tilly), he is driven to consider treatment for the first time. ~ Eleanor Mannikka, All Movie Guide

Ambitious journalist Isabel Turette (Anne-Marie Johnson) has parlayed a string of skid-row murders into a spectacular, Pulitzer-worthy front-page story. As Hunter (Fred Dryer) and McCall (Stepfanie Kramer) investigate the killings, they can't help but notice that the journalist has refused to allow the police to tap her phone, even though she claims that the killer has been calling her personally just before each "hit." The story takes a sinister turn when a homeless person contacts the detectives--and insist that the reporter herself is the murderer! Beah Richards makes her first series appearance as garrulous bag lady "Pockets" in this final episode of Hunter's second season. ~ Hal Erickson, All Movie Guide