Ed Grady

In this made-for-TV movie, a former lap dancer befriends a well-off young man who's investigating the murder of his family and the disappearance of his father. When Ivy Leaguer Tim Faulkner (Patrick Muldoon) finds his sister and mother dead, he can't locate his father. He soon learns that his dad may have been involved with the Mob. But despite eyewitness testimony that his father drowned, Tim skips town to look for him anyway. He soon meets Meredith (Tori Spelling), a bubbly good-time girl who helps him stay one step ahead of the authorities who are also trailing his father. Meanwhile, violent crook Mariano (Richard Belzer) keeps tabs on the boy, hoping Tim will lead him to Mr. Faulkner, who owes him a large sum of cash. As Tim's search continues, he gets closer to the truth -- and grows closer to Meredith. So why is she behind his back taking phone calls from Mariano? Originally broadcast on NBC in 1996, Deadly Pursuits aired again in 1999 and subsequently joined several other Spelling vehicles in frequent rotation on the Lifetime cable channel. ~ Brian J. Dillard, All Movie Guide

A daughter haunted by the memory of a morbid love affair suspects that the man who once seduced her has returned to kill her after eighteen-years after being convicted and imprisoned for murdering her mother. Mother and daughter have both had a torrid love affair with the same man, and in the end the mother paid for the transgression with her life. Though the diabolical seducer was quickly convicted and sent to prison, nearly twenty-years have passed and now the woman who was once a frightened young girl begins to suspect that the man who killer her mother has returned to claim her life as well. ~ Jason Buchanan, All Movie Guide

When an elderly woman dies, she decides to take possession of a stray dog's body so as to keep an eye on her widowed husband in this wonderful tale based on the novel by Terry Kay. ~ Kristie Hassen, All Movie Guide

This moving made-for-TV movie is a faithful rendition of Marjorie Kinan Rawling's timeless coming-of-age tale in which a boy living a hardscrabble life with his family in a Florida swamp must grow-up and face his responsibilities after he befriends an orphaned fawn. ~ Sandra Brennan, All Movie Guide

Inspired by a 60 Minutes story, the made-for-cable Stolen Babies is the fact-based story of supposed "angel of mercy" Georgia Tann. Throughout the 1940s, Ms. Tann oversaw the adoption of children from her Tennessee orphanage. Since she was considered a pillar of the community, few questioned Tann's methods. Only when dedicated social worker Anne Beals began chipping away at Tann's respectable veneer did a terrible truth come to light. The principal selling angle of Stolen Babies was the way-against-type casting of Mary Tyler Moore as purse-lipped, bespectacled, quietly sinister Georgia Tann (not surprisingly, Moore won an Emmy for this chilling performance). Lea Thompson was more traditionally cast as the whistle-blowing Anne Beals. Stolen Babies first aired March 25, 1993, over the Lifetime Cable service. ~ Hal Erickson, All Movie Guide

Composer Richard Parker (Kevin Kline) and his wife Priscilla (Mary Elizabeth Mastrantonio) live an ordinary suburban life until they meet their new neighbors Eddy (Kevin Spacey) and Kay (Rebecca Miller). The two couples become friends until some mate-swapping is suggested by the men. The plot takes a nasty turn, however, when Richard sleeps with Kay -- who turns up, the next morning, bludgeoned to death with a baseball bat. Soon, Richard is charged with the crime and must prove his innocence. ~ Linda Rasmussen, All Movie Guide

Based on a true story, Disney's family film Wild Hearts Can't Be Broken follows the adventures of a 1920s teenager named Sonora Webster (Gabrielle Anwar), who runs away from her foster home to join a carnival. At the carnival, she gets a job as a stunt rider who leaps with her horse into a tank of water 40 feet below. Along the way, she has plenty of adventures, eventually falling in love with the son of one of the show's cowboys. ~ Stephen Thomas Erlewine, All Movie Guide

"Remake fever" spread in 1991 to the producers of the TV-movie Night of the Hunter. 36 years earlier, writer James Agee, director Charles Laughton and stars Robert Mitchum, Shelley Winters and Lillian Gish combined their considerable talents to create the original Night of the Hunter, a first-rate allegorical suspenser involving stolen funds, a homicidal phony preacher, and two innocent but resilient children. The 1991 remakes stars Richard Chamberlain in the old Mitchum role as Harry Powell, the bogus preacher with the words LOVE and HATE tattooed on his knuckles. In pursuit of stolen money hidden by an old prison cellmate, "Reverend" Powell ingratiates himself with the cellmate's widow (Diana Scarwid), then kills her. The woman's children seem to know where the money is, so Powell pursues them through the woods, nearly catching up with them before they are taken in by a kindly old woman. The 1991 Night of the Hunter couldn't come up with an adequate substitute for Lillian Gish, so the new script altered the ending, thereby diminishing most of the property's inherent value. ~ Hal Erickson, All Movie Guide

In White Lie, a drama based on Samuel Charters' novel Louisiana Black, Gregory Hines plays Len Madison Jr., a New York-based mayoral press secretary who learns that his father was lynched in the South three decades earlier. Madison returns to the South, where he is intent on learning the truth about his father's death. Along the way, he is helped by a doctor (Annette O'Toole), the daughter of the white woman whom Madison's father allegedly raped and killed. ~ Stephen Thomas Erlewine, All Movie Guide

In this dystopian fable, a librarian wife and mother becomes the childbearing pawn of a Christian theocracy. In the near future, as war rages across the fictional North American Republic of Gilead and pollution has rendered 99 percent of the female population sterile, Kate (Natasha Richardson) sees her husband killed and her daughter kidnapped while trying to escape across the border. Kate herself is transformed into a handmaid -- a surrogate mother for one of the privileged but barren couples who run the country's fundamentalist regime. Although she resists being indoctrinated into the bizarre cult of the handmaids, which mixes Old Testament orthodoxy and misogynist cant with 12-step gospel and ritualized violence, Kate soon finds herself ensconced at the home of the Commander (Robert Duvall) and his frosty wife, Serena Joy (Faye Dunaway). Forced to lie between Serena Joy's legs and be penetrated impersonally each month by the Commander, Kate longs for her vanished earlier life; she soon learns that since many of the nation's powerful men are as sterile as their wives, she may have to risk the punishment for fornication -- death by hanging -- in order to sleep with another man who can provide her with the pregnancy that has become her sole raison d?etre. When that other man turns out to be Nick (Aidan Quinn), the Commander's handsome, sympathetic driver, Kate grows attached to him -- and eventually pregnant with his child. Only the mysterious rebel affiliations of her fellow handmaid, Ofglen (Blanche Baker), seem to offer any chance of giving her unborn child a life of freedom -- or finding the daughter she already lost. Loosely adapted by Harold Pinter from the novel by Margaret Atwood, The Handmaid's Tale also features Elizabeth McGovern in a small but pivotal role as Moira, a "gender traitor" who befriends Kate at the handmaids' reprogramming center. ~ Brian J. Dillard, All Movie Guide

The second In the Line of Duty fact-based TV movie of the 1990-1991 season, In the Line of Duty: Manhunt in the Dakotas stars Michael Gross as an urban FBI agent. His quarry is Gordon Kahl (Rod Steiger), leader of a right-wing extremist movement whose battle against authority has led to murder. Charged with killing two federal marshals, Kahl holes up in the Dakota hills, with his fanatical followers running interference as the feds close in. Though the film takes no sides, it details the sort of financial and social pressures that might bring forth a charismatic madman like Gordon Kahl. ~ Hal Erickson, All Movie Guide

British director Mike Hodges brought an extra measure of integrity to this made-for-TV thriller. Rosanna Arquette stars as Martha Travis, a psychic who travels the rural American South with her alcoholic father, Walter (Jason Robards), plying her mystical trade for credulous yokels. In reality, Martha is a con woman whose only gift is the ability to defraud those who seek messages from dead loved ones. However, one night the bogus medium intercepts mental images of a murdered man whose wife is in the audience -- and indignantly proclaims that her husband is still very much alive. Within hours, however, Martha's vision becomes reality. Martha has suddenly developed the ability to see murders before they happen, but her newfound ability to prognosticate puts a professional contract killer on her trail. In the meantime, Martha becomes lovers with Gary Wallace (Tom Hulce), a small-town reporter who's intrigued enough by Martha to write a story about her, although he's skeptical about her supernatural talents. ~ Karl Williams, All Movie Guide