Bette Davis

Known equally for her steely persona as her award-winning talent, Bette Davis was Tinseltown's greatest diva. Her legacy is documented in Hollywood Remembers: All About Bette. Davis took the movie business by storm playing everything from a fragile blind woman to a vicious killer. Her years at the various studios taught her to deal wisely in business matters while jockeying for better and better leading roles. With two Academy awards under her belt, Davis continued to dominate the box office late into her career. Archival footage and film clips complete this Jodie Foster-narrated look back at the first lady of the American screen. ~ Sarah Ing, All Movie Guide

This documentary highlights the careers and lives of some of the most famous actresses of early cinema. Some of the ladies featured in this video are Bette Davis, Barbara Stanwyck, Carole Lombard, and Joan Crawford. These actresses from Hollywood's Golden Age were different in the types of films they were known for, from romantic comedy to high drama, but they were all the queens of the movie industry. You will watch some of their performances, listen to stories from historians and critics about their illustrious careers, and hear to the stars themselves in excerpts from interviews they did on television. There are rare photographs of the stars and outtakes from many of their movies. ~ Cecilia Cygnar, All Movie Guide

As Summers Die was produced as an "HBO Premiere" attraction. Set in the segregationist South of the 1950s, the film pits the wealthy but decadent members of a landed-gentry white family against a feisty old black woman, on whose property oil has been discovered. Idealistic attorney Scott Glenn bucks the family--and the inbred prejudices of the community--to protect the woman's interests. He finds himself with two unsuspected allies in the forms of young Jamie Lee Curtis and ancient Bette Davis, two "renegade" members of the very family that wants to grab the oil-rich land. As Summers Die had its cable-TV debut on May 17, 1986. ~ Hal Erickson, All Movie Guide

Helen Hayes makes her second TV appearance as Agatha Christie's female sleuth Miss Marple in Murder with Mirrors. Marple has been summoned to the lavish country estate of her old friend Carrie Louise Serrocold (Bette Davis). Carrie's stepson has been killed, and she fears that his won't be the last corpse to befoul the estate. She's right, and the game is afoot for Miss Marple once more, with a full contingent of prime suspects (including John Mills, Leo McKern and Dorothy Tutin). Murder with Mirrors was filmed on location on a genuine 13th century British estate. If Helen Hayes seems more spirited than Bette Davis (eight years Helen's junior), it's because Bette was seriously ill prior to and during shooting. ~ Hal Erickson, All Movie Guide

Rather than a compilation of a series of hilarious bloopers, plus scenes of current stars never-before shown to the public, this collection of film clips focuses on a Hollywood of long ago. Stars from Warner Bros. in the 1930s and '40s are shown in out-takes that mainly illustrate their short tempers (James Cagney and Humphrey Bogart among them), while a variety of clips, including screen tests (Marilyn Monroe) catch famous actors from the 1930s to the '60s in ironic or very youthful and naive moments. The humor, when it occurs, depends on the viewpoint of the beholder: "At Home with Joan Crawford" shows her putting her children to sleep while a voiceover says "Good-night Mommy Dearest." James Dean discusses the dangers of fast driving on the highway in one clip filmed not long before he was killed in a head-on collision, driving 115 mph near Paso Robles. Judy Garland sings Over the Rainbow in a radio show with Bob Hope that was captured on film. Another short made in 1937 shows Constance Bennett demonstrating her beauty secrets; others show Bette Davis promoting war bonds in the 1940s, and Shirley Temple doing a segment for the Red Cross. For anyone interested in Hollywood stars, these film clips are curiosities that reveal more than just the screen persona of actors who were "manufactured in Hollywood." ~ Eleanor Mannikka, All Movie Guide

Arthur Hailey's novel Hotel had already served as the inspiration for a 1967 theatrical film when this TV pilot came along on September 21, 1983. Bette Davis stars as Laura Trent, the entrenched owner of the Hotel St. Gregory (moved from the novel's New Orleans to San Francisco, to allow for location filming at San Francisco's Fairmont Hotel). In true Love Boat fashion, Ms. Trent and hotel manager Peter McDermott (James Brolin) oversee four separate plot strands. A hooker (Morgan Fairchild) is raped in the hotel by a bunch of preppies who'd hired her for "just talk". A neurotic aspiring singer (Erin Moran) tries to interrupt the act of the hotel's lounge entertainer Mel Torme (himself). A very-married lady (Shirley Jones) checks in to conduct an illicit affair. And a feisty young woman (Connie Sellecca, a regular on the subsequent series) shows up unhired as McDermott's assistant manager. The Hotel series ran from 1983 to 1988, during which time an ailing Bette Davis was replaced by Anne Baxter; in the early 1990s, reruns of the series popped up rather incongruously on cable's E! Entertainment Network. ~ Hal Erickson, All Movie Guide

This Disney Studios attempt at entering the horror genre is a British production based on the chilling novel by Florence Engel Randall. An American family, headed by composer Paul Curtis (David McCallum) and his wife Helen (Carroll Baker), is renting an old mansion in England. The mansion's owner is Mrs. Aylwood (Bette Davis), who lives in a small guest house on the property. The mansion is surrounded by dense, forbidding woods. The Curtis children, Jan (Lynn-Holly Johnson) and Ellie (Kyle Richards), explore the forest. Mrs. Aylwood is continually searching the woods for her daughter -- whom she lost there 30 years ago. Over time, the children come to be haunted by the spirit of the daughter, Karen (Katherine Levy). The film was originally released in 1980 with an ending that included a huge alien from another planet. The studio pulled back the film after test audiences laughed at the special effects, and re-released the movie in 1982 with a new ending that circumvented the alien. ~ Michael Betzold, All Movie Guide

Skyward is a 1980 GE Theatre presentation in the lofty tradition of TV's Golden Age. Bette Davis stars (what an inadequate word!) as a 60-year-old retired barnstorming airplane pilot. Real-life paraplegic Suzy Gilstrap portrays a wheelchair-bound team who is "tired of looking up all the time." It is her dream to become a pilot herself, a goal renounced by her overprotective parents and her self-centered boyfriend. But Davis, after initial heated protestations, agrees to train Gilstrap in the rigors of flying--specifically stunt-flying. Directed by Ron Howard, Skyward was produced and cowritten by Howard's Happy Days costar Anson Williams, while another Happy Days alumnus, Marion Ross, appears as Suzy Gilstrap's mother. ~ Hal Erickson, All Movie Guide

The made-for-television movie Strangers: The Story of a Mother and a Daughter concerns a bitter widow (Bette Davis) who is upset about the unexpected return of her estranged daughter (Gena Rowlands). Davis won an Emmy for her performance. ~ Stephen Thomas Erlewine, All Movie Guide

Peter Ustinov began his long association with the Hercule Poirot character of murder mystery novelist Agatha Christie with this lavish but financially disappointing follow-up to the popular Murder on the Orient Express (1974). During a luxurious pleasure cruise down the Nile aboard a lavish vessel populated with wealthy passengers, widely despised heiress and home wrecker Linnet Ridgeway (Lois Chiles) is murdered. Also aboard is famed Belgian detective Poirot (Ustinov) and his taciturn traveling companion, Colonel Race (David Niven). Poirot undertakes an investigation into Ridgeway's killing. Among the colorful suspects are Salome (Angela Lansbury) and Rosalie Otterbourne (Olivia Hussey), Doctor Bessner (Jack Warden), Mrs. Van Schuyler (Bette Davis), Miss Bowers (Maggie Smith), and Jacqueline De Bellefort (Mia Farrow). As more bodies pile up, however, it appears that nearly everyone aboard has a motive. The script for Death on the Nile (1978) was adapted by Anthony Shaffer, the writer of Sleuth (1972) and the identical twin brother of Amadeus (1984) author Peter Shaffer. ~ Karl Williams, All Movie Guide

Dan Curtis, director of TV's Dark Shadows series, directed this eerie haunted-house thriller about a house which draws energy from its inhabitants and selects its own "keeper" from the family of Ben and Marian Rolf (Oliver Reed & Karen Black), who rent the strangely-affordable house one fateful summer then find themselves slowly succumbing to its creepy powers. The photography is suitably moody, and many of the standard haunted-house cliches are used to decent effect -- particularly a violent scene in which the surrounding woods form a barrier to prevent the family station wagon from escaping the area -- but the pace is too leisurely overall, climaxing with the type of grim ending employed by nearly every mainstream horror film in the late 70's. Black's spooky looks are used to maximum effect, but are never quite as chilling as the final shot of Curtis's TV movie Trilogy of Terror from the previous year. ~ Cavett Binion, All Movie Guide

Bette Davis stars in the TV movie Scream, Pretty Peggy. She isn't Peggy, but instead the secretive matriarch of a spooky household. Peggy, played by Sian Barbara Allen, is a goggle-eyed college student hired by Davis as a housekeeper. Ted Bessell plays Davis's son, a crazed sculptor; but no one ever sees Bessell's maniacal sister (where's Anthony Perkins when you need him?). Be assured that pretty Peggy takes up the invitation proposed by the film's title and screams loud and often. ~ Hal Erickson, All Movie Guide