Addiction Drama

Described by director Steven Soderbergh as "Nashville meets The French Connection," this multi-character drama explores the effects of international drug trafficking on all fronts: from their source, to the U.S. border, to the federal government, to the private lives of users. Based upon a miniseries originally aired on Britain's Channel 4, Traffic divides its time among three main storylines and almost a dozen locales. The first and primary plot thread, set in Ohio and Washington, D.C., concerns freshly-appointed drug czar Robert Wakefield (Michael Douglas), whose enthusiasm for his new prestige position is quickly offset when he realizes his 16-year-old daughter Caroline (Erika Christensen) is graduating from recreational drug use to habitual abuse -- a secret that his wife, Barbara (Amy Irving), has kept from him. South of the border, Mexican cop Javier Rodriguez (Benicio Del Toro) attempts to wage his own war on drugs, heading off a cocaine shipment in the middle of the desert with his less-than-virtuous partner Manolo Sanchez (Jacob Vargas). Surrounded by corruption, Javier approaches the drug war with an attitude of patience and compromise, which opens him up to investigation from General Arturo Salazar (Tomas Milian), the country's dubious drug-enforcement liaison to the U.S. Meanwhile, San Diego drug kingpin Carlos Alaya (Steven Bauer) is caught in a sting operation spearheaded by DEA agents Montel Gordon (Don Cheadle) and Ray Castro (Luis Guzman), leaving behind his very pregnant and very oblivious wife, Helena (Catharine Zeta-Jones). At the behest of Carlos' lawyer and shady confidante, Arnie Metzger (Dennis Quaid), Helena decides to carry on the family business -- with tragic consequences. Adapted by Rules of Engagement scribe Stephen Gaghan, Traffic marked Soderbergh's second major release in 2000 after the critical and box-office success of Erin Brockovich, as well as his second feature as cinematographer (credited under the pseudonym Peter Andrews). A favorite with various guild and critics' awards, Traffic won four Academy Awards in 2001, including statues for Best Supporting Actor (Del Toro) and Best Adapted Screenplay (Gaghan), and surprise wins for Steven Mirrone's editing and Soderbergh's direction. ~ Michael Hastings, All Movie Guide

Forest Whitaker, Kim Basinger, Jay Mohr, Danny DeVito, Nick Cannon, and Carla Gugino star in director Mark Rydell's ensemble addiction drama detailing the manner in which gambling and drugs affect a variety of people's lives during the weeks leading up to a championship college basketball game. Carolyn (Basinger) is a struggling novelist whose addiction to the slots drives her to deceive her husband Tom (Liotta). Though Carloyn claims to be working on her latest manuscript at a nearby coffee shop, the reality of her situation is decidedly more desperate. Meanwhile, local maintenance worker Clyde (Whitaker) stands at the sidelines of the basketball court cheering for his little brother Godfrey (Cannon) while keeping his lingering gambling debts a well-guarded secret. In another part of town, the ageing Detective Bruner (Kelsey Grammer) methodically trails malevolent bookie Victor (Tim Roth) as Victor's small-time counterpart Augie (Mohr) patiently waits for his ship to come in. As the big game draws near and casino magician Walter (DeVito) befriends gambling-addicted novelist Carolyn, all of these disparate characters slowly come together on a tragic collision course. ~ Jason Buchanan, All Movie Guide

Lisa Cholodenko wrote and directed this lesbian-themed drama, winner of the 1998 Sundance Film Festival's Waldo Salt Screenwriting Award. Ambitious photography magazine associate editor Syd (Radha Mitchell) has a ho-hum relationship with James (Gabriel Mann). Investigating a ceiling leak, she enters the apartment of her neighbor, retired photographer Lucy Berliner (Ally Sheedy), who lives with former Fassbinder actress Greta (Patricia Clarkson), a heroin addict. The friendship between the worldly Lucy and the naive, insecure Syd ripens into an affair, one destined to change the lives of both women. ~ Bhob Stewart, All Movie Guide

Cult figure Abel Ferrara directed this typically edgy look at an actor whose abuse of alcohol and drugs takes an unexpected toll. Matty (Matthew Modine) is an actor whose career is on the fast track; however, he's not able to handle the pressures of life in Hollywood, so he heads to Miami to recharge his emotional batteries. Given Miami's night life, this might not have been the wisest choice he could have made, as he's soon sunk deep in a sea of drink and drugs. Matty asks his girlfriend Annie (Beatrice Dalle) to marry him, but she turns him down, as she's still bitter about having to have an abortion when he got her pregnant some time back. Matty, however, can barely remember this event. Matty's friend Mickey (Dennis Hopper), a night club owner and video artist, decides that Matty needs to get away from his problems, and they set out for a long night of heavy partying, during which Matty picks up a waitress, also named Annie (Sarah Lassez). Somewhere along the line, Matty drinks so much that he blacks out, and he awakes with no memory of the evening. 18 months later, Matty is clean and sober, living in New York with his new girlfriend Susan (Claudia Schiffer). He can't get Annie out of his mind, and he flies to Miami to visit her, hoping to close some old wounds. But Annie the waitress turns out to have some bad news for him when he arrives in Florida. The Blackout marked the acting debut of model Claudia Schiffer, and, as in several of Ferrara's previous films, seminal hardcore rapper Schooly D contributed several songs to the soundtrack. ~ Mark Deming, All Movie Guide

Neil Patrick Harris and Matthew Lillard star in writer/director Craig Singer's violent tale of rehabilitation gone horribly awry. When high school student Arnold Mosk (Neil Patrick Harris) is busted for using drugs, he's immediately placed in an experimental isolation program known as "The Animal Room." "The Animal Room" is a rehabilitation center where the rules of normal society don't apply, a kind-of lawless clubhouse inhabited by the most dangerous and disturbed youth imaginable. When Arnold shows up in "The Animal Room," sadistic gang leader Doug Van Housen (Lillard) immediately targets the frightened newcomer for torment. Doug is the kind of kid who's just too far gone to care what society thinks of him, and he places precious little value on human life. Should Arnold remain in "The Animal Room" he will almost certainly die. Now, it's up to Arnold's childhood friend Gary - a popular student and talented athlete - to break his old pal out of the controversial treatment program before the situation turns deadly. ~ Jason Buchanan, All Movie Guide

A free-spirited art student and a roguish poet find their addiction to each other taking a back seat to their taste for heroin in director Neil Armfield's intensely personal tale of recreational drug use gone bad. When Candy (Abbie Cornish) and Dan (Heath Ledger) first fell in love, they both thought they had found all they ever needed in life. Despite financial hardships, the pair sustained themselves on the vibrant life force that burned blindingly bright as it promised an invincible future. Their intoxicating romance a blissful altered state of which heroin played only a minor role in the beginning, Candy and Dan soon decide to strengthen their bond by marrying and starting a family. Their manufactured Eden gradually becomes an uncontrollable inferno, however, as Candy's parents slowly pull away due to the pain of witnessing their daughter's slow slide into oblivion, and even chemistry professor Casper (Geoffrey Rush), who was at first complicit in their experimentation, admits that Candy and Dan's blind devotion to the drug is now forever ingrained into their commitment to one and other. As the marriage deteriorates right along with Candy's increasingly fragile mental state, Dan must make the difficult decision to either rescue her or pull away in hopes that the clarity of separation will finally empower her to break free of the addiction that binds her. ~ Jason Buchanan, All Movie Guide

The directorial debut of Glenn Gordon Caron, the creator of the television series Moonlighting (1985-89), this intense, gritty drama was received as one of the best-ever cinematic treatments of substance abuse. Michael Keaton stars as Daryl Poynter, a hustling, successful Philadelphia real estate agent who has become addicted to cocaine. He's already got problems, including nearly a $100,000 embezzled from his employer and lost on the stock market, when he wakes up one morning with a young woman dead in his bed from a coke overdose. His company is asking questions about the missing funds, and the dead girl's father is plastering his neighborhood with posters accusing Daryl of being a murderer, so he decides to hide out in an anonymous drug treatment program. There, however, Daryl runs into tough-minded counselor and former addict Craig (Morgan Freeman), who has heard all of Daryl's lies and tricks before. Daryl also finds romance with an abused fellow addict, Charlie Standers (Kathy Baker), and understanding with his Alcoholics Anonymous sponsor (M. Emmet Walsh). ~ Karl Williams, All Movie Guide

The operative word in Drugstore Cowboy is "drug". Matt Dillon plays the leader of a group of dopeheads who wander around the country robbing pharmacies to feed their habits. Dillon's chums include doltish James Le Gros and teen-age junkie Heather Graham; also along for the ride is Dillon's wife Kelly Lynch. Their nemesis is cop James Remar, whom Dillon takes perverse delight in humiliating. When one of the young addicts dies of an overdose, it promps Dillon to try to go straight, a task complicated by wife Lynch's determination to stay high and by the corrupting presence of an ex-priest, played by Naked Lunch author William Burroughs. Drugstore Cowboy was director Gus Van Sant's breakthrough picture. ~ Hal Erickson, All Movie Guide

Mike Figgis' grim drama documents a romantic triangle of sorts involving prostitute Sera (Elisabeth Shue), failed Hollywood screenwriter Ben (Oscar-winner Nicolas Cage), and the constant flow of booze which he loves more dearly than life itself. Arriving in Las Vegas with the intention of drinking himself to death, Ben meets Sera, and they gradually begin falling for one another. From the outset, however, Ben warns Sera that no matter what, she can never ask him to quit drinking, a condition to which she grudgingly agrees. A darkly comic tragedy, Leaving Las Vegas charts the brief romantic convergence of two desperately needy people who together find a brief flicker of happiness. ~ Jason Ankeny, All Movie Guide

This cinematic/literary hybrid fuses motifs from Beat writer William S. Burroughs's novel of the same name with elements of the author's biography and plenty of the cerebral alienation and biomorphic special effects fans of creepy cult director David Cronenberg have come to expect. Bill Lee (Peter Weller) wants to write, but he exterminates bugs to pay the bills. His wife, Joan (Judy Davis), becomes addicted to Bill's bug powder dust, and soon he joins her in a world of unorthodox hallucinogens; he visits the kindly yet sinister Dr. Benway (Roy Scheider) and walks away with his first dose of the black meat -- a narcotic made from the flesh of the giant aquatic Brazilian centipede. Soon, monstrous beetles are whispering conspiracy theories in Bill's ears and his nebbish writer friends Hank (Nicholas Campbell) and Martin (Michael Zelniker) are sleeping with Joan under his nose. When a party trick involving a liquor glass and a gun goes awry, killing Joan, Bill flees to Interzone, a Mediterranean city full of talking insectoid typewriters, double agents, offbeat aesthetes, and plots within plots. As he navigates this paranoid landscape, Bill begins ingesting another drug called mugwump jism and writes fragments that Hank and Martin soon assemble into a novel under the title Naked Lunch. As beat literature aficionados know, Interzone is based on Tangiers -- the city where Burroughs wrote Naked Lunch. The incident in the film in which Hank and Martin appropriate Bill's writing and have it published closely approximates the real-life circumstances of the novel's publication, although it was Allen Ginsberg and Jack Kerouac who helped out the real-life Burroughs. The William Tell incident that kills Bill's wife is also drawn from the author's real life. "William Lee" is both Burroughs' literary stand-in and the name under which he published his first autobiographical novel Junky. Ian Holm, who plays Joan Frost's husband, Tom, would appear in Cronenberg's similarly experimental eXistenZ several years later. ~ Brian J. Dillard, All Movie Guide

Punk rock's first great embodiment of the motto "live fast and die young," Sid Vicious joined The Sex Pistols when they were already established as the most controversial rock band in British history; and it soon became apparent that he couldn't play his instrument, had a magnetic attraction to chaos, and possessed a dangerous thirst for booze, drugs, and violence. Sid and Nancy opens shortly after Sid (Gary Oldman) joined the band, when he meets an obnoxious American punk groupie named Nancy Spungen (Chloe Webb). Nancy claims that she can get drugs, and Sid naively gives her his money. Nancy doesn't show up with the goods, but when Sid runs into her a few days later, she has a tall tale about getting ripped off - and Sid sympathizes with her. Before long, Sid and Nancy have fallen in love, and while they argue with uncommon vehemence, they also depend completely on each other. When The Sex Pistols break up, Sid has few prospects and an increasingly voracious appetite for heroin, and Nancy's attempts to "manage" his career only hasten his downhill slide. Former Clash leader Joe Strummer wrote the film's theme song, "Love Kills," and The Pogues, The Circle Jerks, and Pray for Rain contributed to the soundtrack. ~ Mark Deming, All Movie Guide

Billy Wilder's searing portrait of an alcoholic features an Oscar-winning performance by Ray Milland as Don Birnam, a writer whose lust for booze consumes his career, his life, and his loves. The story begins as Don and his brother Wick (Philip Terry) are packing their bags in their New York apartment, preparing for a weekend in the country. Philip, aware of his brother's drinking problem, is keeping an eye of him, making sure he doesn't sneak a drink before the departure of their train. Arriving at the apartment is Don's girlfriend, Helen St. James (Jane Wyman), who has tickets to a Carnegie Hall concert that night. Don persuades Wick and Helen to go to the concert without him, hoping to find one of his well-hidden bottles of booze. But when Wick and Helen go to the concert, Don discovers that Wick has gotten rid of the liquor. Don has no money, so he can't visit the neighborhood bar -- that is, until the cleaning lady arrives to reveal money hidden in a sugar-bowl. Don grabs the cash and hits the street, heading off to Nat's Bar. Nat (Howard Da Silva), a bartender who has seen it all, is surprised to see Don. But when Don shows he can pay for his drinks, Nat reluctantly serves him, telling Don, "One's too many and a thousand's not enough." Soon Don plunges in an alcoholic haze, his boozing landing him in a harrowing drunk tank, presided over by the cynical attendant Bim (Frank Faylen). ~ Paul Brenner, All Movie Guide

A dramatic treatment of a family torn apart by alcoholism and recovering from it, this was a star vehicle for popular actress Meg Ryan, who plays Alice Green, a school counselor who has a serious drinking problem. Her husband is Michael (Andy Garcia), an airline pilot. Though she's lighthearted and loving, Alice is often reckless and, when drunk, even neglects her children, nine-year-old daughter Jess (Tina Majorino) from a previous marriage, and four-year-old daughter Casey (Mae Whitman), whose father is Michael. After an accident, Alice realizes that she has "hit bottom" and goes into a clinic for rehab. When she returns home, she has kicked her addiction and has become independent and strong, and her perfectionist, controlling husband has trouble adjusting. Michael is used to his wife being weak and helpless, and they end up seeing a marriage counselor to recover from Michael's "co-dependency" on Alice's role as an alcoholic. ~ Michael Betzold, All Movie Guide