Law & Crime

Filmmaker Amy Berg recounts a harrowing story of child abuse and how a serial child molester went free for the better part of two decades in this documentary. Oliver O'Grady was a Catholic priest who served in a number of parishes in Southern California during the 1970s and '80s. O'Grady was also a habitual child molester who abused dozens of youngsters who were entrusted to his care, and while his superiors in the church were aware of O'Grady's crimes as early as 1973, they opted to simply move him from one congregation to another rather than turn him in to authorities or strip him of his ordination. In Deliver Us From Evil, a number of O'Grady's victims and their families discuss his crimes and the repercussions they feel to this day. O'Grady himself also appears in the film, speaking candidly about his career as a sexual predator and recounting his misdeeds in detail. (After finally being convicted of child sexual abuse, O'Grady served time in prison and now lives in Ireland, where he is still looked after by Catholic clergy.) Berg also offers a look into the history of the Catholic Church and how its leadership has often protected those within the hierarchy at the expense of their worshipers. Deliver Us From Evil was named Best Documentary Feature at the 2006 Los Angeles Film Festival. ~ Mark Deming, All Movie Guide

Who exactly was Jack the Ripper? More than a century after his reign of terror, how much do we truly know about this frightening creature? This documentary features readings from the murderer's diary and disturbing recreations that reconstruct the visions of a mind possessed by madness, bloodshed, and deadly obsessions. ~ Mark Deming, All Movie Guide

With the advent of DNA evidence, a number of convicted criminals have been able to finally be exonerated of crimes they'd never committed in the first place. Naturally, this has added a good deal of fuel to the debates surrounding the American judicial system and capital punishment. In this documentary, Academy Award-nominated director Jessica Sanders takes a look at not only the process of freeing the wrongly convicted but the obstacles that face the prisoners once they are finally freed and attempt return to mainstream society. After Innocence premiered at the 2005 Sundance Film Festival. ~ Matthew Tobey, All Movie Guide

Filmmaker, author, and political activist Michael Moore trains his satirical eye on America's obsession with guns and violence in his third feature-length documentary, which gets its title from a pair of loosely related incidents. On April 20, 1999, shortly before they began their infamous killing spree at Columbine High School in Littleton, CO, Eric Harris and Dylan Klebold attended their favorite class, a no-credit bowling course held at a bowling alley near the school, the same bowling alley which would become the scene of a robbery and triple homicide two years later. While pondering these events, Moore humorously considers the link between random violence and the game of ten pins; along the way, Moore calls on the Michigan Militia (and gets to know some of the models for their "Militia Babes" calendar); spends some time with James Nichols, brother of Oklahoma City bombing accomplice Terry Nichols; visits K-Mart's corporate offices with two teenagers injured in the Columbine massacre as they ask the retail chain to stop selling bullets for handguns; investigates the media's role in the American climate of fear and anger; compares crime statistics in the United States with those of Canada (which, despite higher unemployment and a larger number of guns per capita, manages to rack up a small fraction of the homicides committed in the United States), and questions actor and National Rifle Association president Charlton Heston regarding his appearance at a pro-gun rally held in Littleton a few days after the Columbine massacre, and a similar rally in Flint, MI, after a six-year-old boy killed a classmate with a gun he took from his uncle's house. Bowling for Columbine received its first public screening at the 2002 Ann Arbor Film Festival; the film's official premiere took place a few months later at the Cannes Film Festival. ~ Mark Deming, All Movie Guide

Arnold and Elaine Friedman were a seemingly typical couple living in Great Neck, NY, in the 1980s. Arnold was an outgoing and well-liked schoolteacher with an interest in electronics who also ran a private computer school out of their home. Elaine, a reserved but caring woman, helped look after the couple's three sons, Jesse, Seth, and David. All appeared to be happy in their lives until November 1987, when police raided the Friedman home after Arnold and Jesse were accused of multiple counts of child molestation. A search revealed that Arnold owned a sizable collection of child pornography, and he confessed to some of the charges placed against him; Jesse, however, firmly insisted he was innocent. As the investigation against the Friedmans went on, public opinion regarding the case became more and more heated, but not all of the testimony against Arnold and Jesse matched up, and some began to wonder just how many of the charges filed against the family had merit. Remarkably enough, in the midst of these crises which threatened to destroy the family from within, the Friedmans continued to take part in one of their favorite pastimes -- shooting home videos of their day-to-day lives, offering a fly-on-the-wall look at a family struggling (and often failing) to hold themselves together in the wake of unthinkable accusations. Filmmaker Andrew Jarecki not only documented the legal and emotional struggles of the Friedman family with his own cameras, but was given access to the family's archive of home videos, and the result was Capturing the Friedmans, a documentary which keeps its primary focus on the Friedman family while also investigating the merits or faults in the charges levied against them. Capturing the Friedmans received an enthusiastic reception in its screening at the 2003 Sundance Film Festival. ~ Mark Deming, All Movie Guide

Alex Gibney, who wrote and produced Eugene Jarecki's The Trials of Henry Kissinger, examines the rise and fall of an infamous corporate juggernaut in Enron: The Smartest Guys in the Room, which he wrote and directed. The film, based on the book by Fortune Magazine reporters Bethany McLean and Peter Elkind, opens with a reenactment of the suicide of Enron executive Cliff Baxter, then travels back in time, describing Enron chairman Kenneth Lay's humble beginnings as the son of a preacher, his ascent in the corporate world as an "apostle of deregulation," his fortuitous friendship with the Bush family, and the development of his business strategies in natural gas futures. The film points out that the culture of financial malfeasance at Enron was evident as far back as 1987, when Lay apparently encouraged the outrageous risk taking and profit skimming of two oil traders in Enron's Valhalla office because they were bringing a lot of money into the company. But it wasn't until eventual CEO Jeff Skilling arrived at Enron that the company's "aggressive accounting" philosophy truly took hold. The Smartest Guys in the Room explores the lengths to which the company went in order to appear incredibly profitable. Their win-at-all-costs strategy included suborning financial analysts with huge contracts for their firms, hiding debts by essentially having the company loan money to itself, and using California's deregulation of the electricity market to manipulate the state's energy supply. Gibney's film reveals how Lay, Skilling, and other execs managed to keep their riches, while thousands of lower-level employees saw their loyalty repaid with the loss of their jobs and their retirement funds. The filmmaker posits the Enron scandal not as an anomaly, but as a natural outgrowth of free-market capitalism. ~ Josh Ralske, All Movie Guide

Brazil is a nation where political and economic corruption and violent crime are a way of life for many, and filmmaker Jason Kohn examines some of the more unusual ways they manifest themselves in this documentary. In Manda Bala (Send a Bullet), Kohn's subjects include a plastic surgeon whose practice is dominated by the victims of kidnappers who lost their ears to their captors; a political figure who uses his frog ranch as a cover for illegal business operations which have made him a multi-millionaire; and an auto customizer whose specialty is bullet-proofing luxury cars. Manda Bala (Send A Bullet) won the Grand Jury Prize for Documentary at the 2007 Sundance Film Festival. ~ Mark Deming, All Movie Guide

In this video, Nova trails along with fire detectives as they try to crack the case of a serial arsonist setting fires in stores in L.A. The prime suspect will surprise you. ~ Laura Mahnken, All Movie Guide

Nova explores the state-of-the-art techniques being used by scientific sleuths to crack bombing cases. ~ Laura Mahnken, All Movie Guide

With a short 57-minute running time calculated for TV timeslots, this documentary was partially financed by Cinemax and UK's Channel 4. Staged simulations are smoothly integrated with legit footage to jigsaw together a portrait of Michael Alig, serving time for manslaughter when this film was made. Waving goodbye to South Bend, Indiana, Alig arrived in NYC, became a college dropout, and developed a reputation for promoting parties during the '80s. The Alig parties featured bizarre costumes, performance art, and a sexual slant, but they eventually began going haywire with wild drug use/abuse of heroin, crack, and animal tranquilizers, prompting the law to take note. In early 1996, drug dealer Angel Melendez vanished, and a corpse later turned up floating near Staten Island; months later, Alig and a roommate were arrested. To recount the grim details, filmmakers Fenton Bailey and Randy Barbato interviewed Alig in prison, combining this with both party videos and footage of Alig associates. Shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

Filmmaker Lynn Hershman Leeson examines a strange miscarriage of justice amplified by post-9/11 hysteria in this imaginative fusion of documentary and docu-drama. Steve Kurtz is an artist and political activist who was an associate professor at State University of New York's Buffalo campus and a member of a politically oriented creative collective known as the Critical Art Ensemble. In the spring of 2004, Kurtz was preparing an installation of pieces commenting on the potential dangers of genetically modified foods for the Massachusetts Museum of Contemporary Art when his wife Hope Kurtz unexpectedly suffered heart failure. Kurtz called 911 to report the emergency, but by the time the police arrived she was dead. While looking through Kurtz's home, authorities found Petri dishes used to grow bacteria and genetically modified flies the artist had obtained for his exhibit; soon a Hazmat crew had sealed off the house, and Kurtz was behind bars under laws designed to combat bio-terrorism. While Kurtz purchased his materials legally through the internet and the case against him is flimsy at best, the FBI has refused to drop charges against him, in part because the federal government is eager to strengthen bio-terrorism laws rather than call attention to their flaws, and in part because the Food and Drug Administration would prefer to keep critics of bio-engineered food (which the FDA has embraced over the objection of many in the scientific community) as quiet as possible. Since Kurtz is not able to tell his own story on camera, for the film Strange Culture Leeson has combined interviews and newsreel footage with cinema verite-style recreations, featuring actors Thomas Jay Ryan as Steve Kurtz, Tilda Swinton as Hope Kurtz, and Peter Coyote as Steve's associate Robert Ferrell. Strange Culture also features an original score by pioneering experimental rock group the Residents. ~ Mark Deming, All Movie Guide

Not many filmmakers can claim to have freed a convicted murderer from jail, but Errol Morris accomplished that feat with his stunning documentary about Randall Dale Adams. Morris, whose brilliant previous features Vernon, Florida and Gates of Heaven had focused on less substantial subjects, learned of Adams' plight when the director was in Texas in preparation for a film about a psychiatrist who testified in murder trials. In November 1976, after his car broke down on a road outside Dallas, Adams had accepted a ride from a stranger, David Harris. Harris was driving a stolen car, and when Dallas police officer Robert Wood pulled the two men over to check on the vehicle, Harris shot and killed Wood. A jury believed that Adams was the killer, thanks to the perjured testimony of Harris and the misleading accounts of two witnesses. A story about Adams on 60 Minutes helped to bring public attention to the case, but it was Morris' film, which contained extensive interview material with both Adams and Harris as well as stylized reenactments of the crime, that clinched the case for Adams' innocence. He was set free on March 15, 1988. Although Morris' film made many critics' top ten lists, it was unaccountably not nominated for an Academy award, raising doubts about the credibility of the Motion Picture Academy's nominating process in this category. ~ Tom Wiener, All Movie Guide

This film adaptation of Michael Lesy's 1973 book takes a look at the sordid and disturbing underside of life in a small Wisconsin community in the 1890s. In the early 1970s, Lesy discovered a large collection of curious photographs from Black River Falls, Wisconsin, taken near the end of the 19th century, and began doing research on the town in hopes of learning the story behind them. Lesy was startled by what he learned; over the course of a decade, Black River Falls fell victim to a severe diphtheria epidemic, the local economy collapsed following the shutdown of a mining business, a serial arsonist terrorized the community, a lunatic claiming to act under God's orders held 26 people hostage at the local church, two children murdered a farmer, a number of infants were abandoned or killed, and an undercurrent of violence and madness seemed to taint all aspects of the town's history. Using both the original photographs and silent recreations staged by director James Marsh (accompanied by narration from Ian Holm), Wisonsin Death Trip attempts to recreate the disturbing qualities of the photos and news clippings that formed the basis of Lesy's book. The film also features an original score by turntablist DJ Shadow. ~ Mark Deming, All Movie Guide