Sex Comedy

This remake of Lewis Gilbert's 1966 film of the same name features Jude Law filling the shoes Michael Caine once wore in the title role of Alfie. As with the original, Law occasionally speaks directly to the camera while his character talks of the opposite sex. Under the direction of Charles Shyer, Alfie follows a charming, if morally lacking, womanizer from one bed to the next. While his actions arise more from nonchalance than malice, Alfie nonetheless faces a moral dilemma when considering that he's impregnated one of his latest girlfriends. Alfie also includes performances from Marisa Tomei, Susan Sarandon, and Nia Long. ~ Tracie Cooper, All Movie Guide

Actor/comedian Chris Rock directs and stars in this American remake of Eric Rohmer' s classic French comedy Chloe in the Afternoon. Richard Cooper (Rock) is a high-powered investment banker with a beautiful wife and two wonderful children. Though on the surface it would appear that Richard could want nothing more out of life, his thoughts always seem to drift toward sex. Whether it's during his daily commute into the city, his endless barrage of meetings, or even his downtime changing diapers at home, Richard's mind is constantly preoccupied by fantasies about the women he sees on the commuter train, on the city streets, and in the boardroom. Richard's daily life has gradually devolved into a blur of mind-numbing banality, and these days sexual fantasy has become his sole means of escaping the constant pressures of work and fatherhood. Though Richard never had any real intention of cheating on his faithful but preoccupied wife Brenda (Gina Torres), a chance run-in with his old friend Nikki (Kerry Washington) -- a drop-dead gorgeous stunner who appears at his office door one day seeking career advice from the successful banker -- finds his steely resolve fast turning flimsy. It's not long before the smitten Richard and the smoldering Nikki are meeting for clandestine lunches, and temptation begins to turn Richard's once-predictable life upside down. As his uncontrollable fantasies begin to lead him down the dangerous path of infidelity, the man who once kept his libido safely in check finds it increasingly difficult to refrain from acting on his impulses. ~ Jason Buchanan, All Movie Guide

The protégé of the most skilled mischief maker in college history sets his sights on England's prestigious Camden University to offer an informative course in advanced-level shenanigans in this sequel to the 2002 Ryan Reynolds hit that finds that film's co-star Kal Penn crossing the pond to realize his true party potential. Van Wilder's former assistant has learned the ways of the master, and now he's prepared to share his newfound knowledge with the stuffy students of the school known more for academia than rowdy mischief. Of course, by now Taj (Penn) knows that where there's a will there's a way, and there are plenty of fun-loving misfits at this esteemed institute of higher learning who are just looking for an excuse to ditch their studies and blow off a little steam by embracing their inner Van Wilder. ~ Jason Buchanan, All Movie Guide

Operating under the assumption that by procuring alcohol for an upcoming party they will finally be able to break their longstanding losing streak with the fairer sex, socially inept high school seniors Evan (Michael Cera) and Seth (Jonah Hill) set out to secure the adult beverages that could get them off of the geek list before they even attend college orientation. Evan is a bright young student whose outward sweetness belies his suffocating fear of heading off to college without his lifelong best friend Seth -- a hormone-driven mischief-maker who wasn't accepted to the same school as Evan. But Evan and Seth both know that college is a place of personal reinvention, and that if they are able to make that first leap together they will have forged a bond powerful enough to last a lifetime. Meanwhile, Evan and Seth's friend Fogell (Christopher Mintz-Plasse) acquires a hastily rendered fake I.D. that instantly endears him to a pair of truly irresponsible cops (Bill Hader and Seth Rogen). Penned by co-star Rogen in collaboration with former Da Ali G Show co-writer Evan Goldberg, the semi-autobiographical SuperBad was produced by Judd Apatow and directed by Greg Mottola -- who previously helmed episodes of Undeclared and Arrested Development. ~ Jason Buchanan, All Movie Guide

A man down on his luck hatches a different kind of get-rich-quick scheme in this independent comedy. Andy Sargentee (Jeff Bridges) is a middle-aged divorcé who is down in the dumps after the departure of his wife, Thelma (Jeanne Tripplehorn), and son, Billy (Alex D. Linz). The fact that Thelma's new hubby is quite wealthy only makes things more troubling for Andy, and he keeps thinking that if he had more money he could be back in her good graces. One night, while knocking back drinks with his friends, Andy has a brainstorm -- pornography is big business these days, so why not round up the local talent and make an adult movie? Andy persuades his friend Barney (Tim Blake Nelson) to sign on as co-producer, and they start putting together a crew, including Emmett (Patrick Fugit), a kid with a video camera who becomes director of photography, Otis (William Fichtner), who volunteers to be the gofer who doesn't really do anything, and as director a guy known only by his nickname, Some Idiot (Joe Pantoliano). Casting proves to be a bit more problematic, especially after they discover that Moose (Ted Danson), who has been cast in the male lead, may be gay when he repeatedly fails to rise to the occasion. The Amateurs also stars Lauren Graham, Valerie Perrine, and Glenne Headly as some of the local women drafted into appearing in the movie; the picture was released in the United Kingdom under the title The Moguls. ~ Mark Deming, All Movie Guide

America's leading titan of bad taste, John Waters, returns to X-rated territory (well, actually NC-17-rated territory, but you get the idea) for this wildly over-the-top comedy. Sylvia Stickles (Tracey Ullman) is a wife and mother living in Baltimore who, along with her husband Vaughn (Chris Isaak) and mother Big Ethel (Suzanne Shepherd), operates a local convenience store. One day, Sylvia receives a sharp blow to the head, which leaves her with a concussion. However, the concussion comes with an unexpected side effect -- Sylvia has suddenly become a sex addict, and is soon attended to by the perverse and lascivious sexual evangelist Ray-Ray (Johnny Knoxville). When it becomes evident that Vaughn can't keep up with her sensual appetites, Sylvia throws herself into the strange netherworld of Baltimore's community of erotic overachievers, which includes her daughter Caprice (Selma Blair), who is living a double life as über-buxom exotic entertainer Ursula Udders. A Dirty Shame also features supporting performances from Waters regulars Patricia Hearst, Mink Stole, Mary Vivian Pearce, Channing Wilroy, and Jean Hill. ~ Mark Deming, All Movie Guide

It's said that most American men think about sex once every two or three minutes, but this statistic would seriously underestimate the horniness of Jim (Jason Biggs), a high school senior in suburban Michigan. Jim is thoroughly obsessed with sex, a fact of which his parents become aware when they discover him performing the sin of Onan with a gym sock while watching scrambled pay-per-view porn. Jim's buddies Kevin (Thomas Ian Nicholas), Finch (Eddie Kaye Thomas), and Oz (Chris Klein) are no less anxious to relieve themselves of their virginity, so they all make a pledge: they will go to bed with a woman in the three weeks before senior prom or die trying. Kevin appears to have the advantage, since he already has a girlfriend, Vicky (Tara Reid), but before he ventures into the Final Frontier, Kevin is urged to consult "The Bible," a hand-written how-to manual possessing erotic wisdom passed down through the ages. Oz is a good-looking jock who is actually a nice guy -- which is part of the problem, since he has his heart set on a nice girl, Heather (Mena Suvari), who does not seem the type to leap into bed within 21 days. Finch has no immediate prospects, though Jessica (Natasha Lyonne) is in a position to know if those rumors about him are true. And Jim is a truly hopeless case -- after his attempted seduction of beautiful Czech exchange student Nadia (Shannon Elizabeth) turns out to be a disaster, he ends up going to the prom with Michelle (Alyson Hannigan), an annoyingly chatty band geek who does, however, have a fascinating story about a flute. American Pie was the directorial debut of Paul Weitz, who, along with his brother Chris Weitz (who served as producer), previously wrote several screenplays, including Antz and Madeline (where they presumably worked all their wholesome ideas out of their system). ~ Mark Deming, All Movie Guide

This sequel to the audacious 1984 comedy Bachelor Party comes 24 years after the original and stars Josh Cooke as Ron, a bachelor who falls in love and decides to get married with his girlfriend of two months. His soon-to-be brother in law doesn't approve of the match, however, and is determined to out Ron as a gold digger. Many uproarious and outrageous encounters follow, as Ron's future in-law sets up boobie traps that live up to their names in more ways than one. ~ Cammila Albertson, All Movie Guide

An encounter between two people with a shared past and conflicting futures is played out on a split-image screen in this offbeat drama. An unnamed man (Aaron Eckhart) and woman (Helena Bonham Carter) are enjoying drinks and cigarettes in a hotel room after attending a wedding reception. At first, the two seem to be playing a flirtatious game, as he cheerfully but confidently advances toward her, and she seems at once attracted and put off by his bravado. Their pas de deux is shot and edited in split screen, with his image appearing in one half of the divided frame and hers appearing in the other. As time wears on, the man and woman begin crossing their appointed boundaries, and in some sequences one half of the frame represents the present while the other shows us events in the past. We learn that the man and woman had a tempestuous affair when they were in their late teens, and both are now committed to other people -- she has a husband, while he has a steady girl. How will the experiences of their past affect their present, and are they willing to betray their lovers for an evening's pleasure? Conversations With Other Women was the first feature film from director Hans Canosa. ~ Mark Deming, All Movie Guide

Women of the world beware -- the world's least likely male pleasure machine is back in business and breaching international boundaries in this sequel to the comedy hit Deuce Bigalow: Male Gigolo. Despite his lack of enthusiasm for his career as a lover-for-hire, Deuce (once again played by Rob Schneider) is back to work as a gigolo when his former manager T.J. Hicks (Eddie Griffin) is accused of murdering a number of male escorts in Amsterdam. Needing to raise money for his friend's legal defense, Deuce is once again showing off the tricks of the trade in the European theater, while also dealing with the less-than-genial European Union of gigolos, a British school for male prostitutes, and some truly puzzling female clients. ~ Mark Deming, All Movie Guide

Written and directed by Alec Berg, David Mandel, and Jeff Schaffer, Eurotrip is a teen comedy from the Montecito Picture Company (makers of similar movies Old School and Road Trip). Mainstream teenager Scott (Scott Mechlowicz) forms an online friendship with German student Mieke in order to get a passing grade in his high school German class. When he finds out Mieke is a buxom blonde girl (Jessica Böhrs), he travels to meet her with his pals Cooper (Jacob Pitts), Jenny (Michelle Trachtenberg), and Jamie (Travis Wester). The group of randy teens head to Berlin by way of London, Paris, and Amsterdam. ~ Andrea LeVasseur, All Movie Guide

This sly comedy drama follows the weekly ritual of three single men who gather at a local steak house to brag, and maybe lie, about their latest romantic adventures. ~ Sandra Brennan, All Movie Guide

"Just one word: plastic." "Are you here for an affair?" These lines and others became cultural touchstones, as 1960s youth rebellion seeped into the California upper middle-class in Mike Nichols' landmark hit. Mentally adrift the summer after graduating from college, suburbanite Benjamin Braddock (Dustin Hoffman) would rather float in his parents' pool than follow adult advice about his future. But the exhortation of family friend Mr. Robinson (Murray Hamilton) to seize every possible opportunity inspires Ben to accept an offer of sex from icily feline Mrs. Robinson (Anne Bancroft). The affair and the pool are all well and good until Ben is pushed to go out with the Robinsons' daughter Elaine (Katharine Ross) and he falls in love with her. Mrs. Robinson sabotages the relationship and an understandably disgusted Elaine runs back to college. Determined not to let Elaine get away, Ben follows her to school and then disrupts her family-sanctioned wedding. None too happy about her pre-determined destiny, Elaine flees with Ben -- but to what? Directing his second feature film after Who's Afraid of Virginia Woolf?, Nichols matched the story's satire of suffocating middle-class shallowness with an anti-Hollywood style influenced by the then-voguish French New Wave. Using odd angles, jittery editing, and evocative widescreen photography, Nichols welded a hip New Wave style and a generation-gap theme to a fairly traditional screwball comedy script by Buck Henry and Calder Willingham from Charles Webb's novel. Adding to the European art film sensibility, the movie offers an unsettling and ambiguous ending with no firm closure. And rather than Robert Redford, Nichols opted for a less glamorous unknown for the pivotal role of Ben, turning Hoffman into a star and opening the door for unconventional leading men throughout the 1970s. With a pop-song score written by Paul Simon and performed by Simon & Garfunkel bolstering its contemporary appeal, The Graduate opened to rave reviews in December 1967 and surpassed all commercial expectations. It became the top-grossing film of 1968 and was nominated for seven Oscars, including Best Picture, Actor, and Actress, with Nichols winning Best Director. Together with Bonnie and Clyde, it stands as one of the most influential films of the late '60s, as its mordant dissection of the generation gap helped lead the way to the youth-oriented Hollywood artistic "renaissance" of the early '70s. ~ Lucia Bozzola, All Movie Guide