Screwball Comedy

Noted hip-hop producer DJ Pooh, who co-wrote the urban comedy Friday, makes his directorial debut with this comedy-drama. A young African-American man is enjoying his freedom after his second stretch in prison. Under the "three strikes and you're out" law, another brush with the police could mean life behind bars, so he's determined to stay out of trouble. He quickly learns, however, that trouble has a way of finding him, no matter where he goes. DJ Pooh also stars in 3 Strikes, alongside N'Bushe Wright and Brian Hooks. ~ Mark Deming, All Movie Guide

Danny (Noah Taylor) is a young man seemingly used to chaos, but he soon discovers that the fates are more than capable of dishing out more than he can handle in this offbeat Australian comedy. By his own count, thirtyish Danny has found himself sharing living quarters with one or more friends more than four dozen times in the past; one might imagine this would make him immune to roommate problems, but that soon proves not to be the case. While sharing a house in Brisbane with a handful of sloppy guys -- and one woman, Sam (Emily Hamilton), who ought to know better -- Danny finds himself obsessing over his most recent relationship, which crashed and burned six months before. The arrival of Anya (Romane Bohringer) picks up Danny's spirits, until he discovers she's dating Sam; this sets off his impulsive instincts, and too much spending (and too much damage to his rented house) forces Danny to high-tail it to Melbourne. Sam soon follows, smarting from a break-up with Anya, and she ends up sharing a flat with Danny. Danny's money management skills have not improved a bit, and he is soon on the run to Sydney, where he and Sam find themselves crashing with Nina (Sophie Lee), an actress with an eating disorder, and her gay friend Dirk (Francis McMahon). Just as Danny and Sam seem to be getting settled, Anya arrives, looking to reconcile with Sam; things get complicated for Danny, and he ends up moving in with Flip (Brett Stewart), an old friend with a severe drug problem. He Died With A Felafel In His Hand was adapted from the popular novel by Australian author John Birmingham. ~ Mark Deming, All Movie Guide

Though equally respected in their field, divorce lawyers Audrey Woods (Julianne Moore) and Daniel Rafferty (Pierce Brosnan) are opposites inside and out of the courtroom. Audrey is meticulous and by the book, while Daniel relies on personality and luck to get by. Despite the difference in methods, neither lawyer has lost a case, and neither plan on ending their streak after being respectively hired by Serena (Parker Posey) and Thorne (Michael Sheen), a celebrity power couple gone wrong. The divorce settlement hinges on a particularly spectacular Irish castle, which both parties would like to keep for themselves. Audrey and Daniel hurry to Ireland with depositions in their eyes, but a growing mutual attraction manages to squirm out from beneath, and, after being immersed in a romantic Irish festival, the rival lawyers wake up married. Reeling, potentially in love (to Audrey in particular's dismay), and faced with the type of media explosion capable of leading to the end of their careers, the mismatched lawyers contemplate how to go about their clients' divorce hearings as man and wife. ~ Tracie Cooper, All Movie Guide

A woman discovers that a part of her family history may be more complicated -- and more famous -- than she ever imagined in this comedy. Thirtysomething Sarah Huttinger (Jennifer Aniston), who has spent most of her adult life in New York City, is flying home to California with her long time boyfriend, Jeff Daly (Mark Ruffalo), for the wedding of her annoyingly perky younger sister, Annie (Mena Suvari). While Sarah and Jeff have recently announced they're engaged to be married, Sarah has been having second thoughts, and she isn't excited about the prospect of spending time with the family where she's always felt like the odd duck. As Sarah tries to decide what she should do with her personal and professional lives, she turns to her sharp-tongued and still youthful grandmother, Katharine (Shirley MacLaine), for advice, and Katharine shares a little-known bit of family history -- that Sarah's now-deceased mother left her father, Earl (Richard Jenkins), a few days before their wedding and ran off with another man for several days before coming back and marrying Earl. However, after hearing this Sarah is also treated to some long-simmering local gossip about a young man who ran off with a bride-to-be after he was seduced by her mother...and that the story became the basis for the hit movie The Graduate. Sarah begins to wonder, was Katharine the real-life Mrs. Robinson of this story? And if it's true, who was the man who had affairs with Sarah's mother and grandmother? Was it dashing and wealthy family friend Beau Burroughs (Kevin Costner), who has also turned Sarah's head? Rumor Has It... was produced from an original screenplay by Ted Griffin; Griffin was originally set to direct the film, but shortly after production began he was replaced, with Rob Reiner taking over the project. ~ Mark Deming, All Movie Guide

The plot of this Raymond Chandler-esque comedy crime caper from the Coen Brothers (Joel Coen and Ethan Coen) pivots around a case of mistaken identity complicated by extortion, double-crosses, deception, embezzlement, sex, pot, and gallons of White Russians (made with fresh cream, please). In 1991, unemployed '60s refugee Jeff "The Dude" Lebowski (Jeff Bridges) grooves into his laid-back Los Angeles lifestyle. One of the laziest men in LA, he enjoys hanging with his bowling buddies, pompous security-store owner Walter Sobchak (John Goodman) and mild-mannered ex-surfer Donny (Steve Buscemi). However, the Dude's life takes an alternate route the afternoon two goons break into his threadbare Venice, California, bungalow, rough him up, and urinate on his living room rug. Why? Because Jackie Treehorn (Ben Gazzara) is owed money by the wife of a certain Jeff Lebowski. However, the goons grabbed the wrong Jeff Lebowski. With the right info, they would have invaded the home of philanthropic Pasadena millionaire Jeffrey Lebowski (David Huddleston). The Dude looks up his wealthy namesake, manages to get a replacement for his rug, and meets the millionaire's sexy young wife Bunny (Tara Reid). Later, Jeffrey ("The Big") Lebowski calls in the Dude to deliver a $1 million ransom for the return of his kidnapped wife. Fine -- except that Walter intrudes and botches the ransom drop. As events unravel, the Dude gets caught up in the schemes of Lebowski's daughter, erotic artist Maude (Julianne Moore), encounters both cops and bad guys, and drifts through an elaborate bowling fantasy sequence titled Gutterballs. The soundtrack includes Bob Dylan, Yma Sumac, Moondog, Captain Beefheart, and the Sons of the Pioneers. ~ Bhob Stewart, All Movie Guide

In this comedy, a middle-aged man juggles his problems with women, literature, and a career, while a younger man chases the artifact of his dreams. Pittsburgh college professor Grady Tripp (Michael Douglas) is currently single following his divorce from his third wife; after publishing an acclaimed first novel, Grady has been working on a follow-up, but he's been sidelined by a severe case of writer's block. Grady has more than his writing career to think about; his affair with one of the (married) chancellors at the University of Pittsburgh (Frances McDormand), has resulted in her pregnancy, while Hannah (Katie Holmes), a student boarding at Grady's house, has developed a crush on him. While Grady is obsessed with his book, one of his students (Tobey Maguire) has an obsession of his own: finding a jacket once owned by Marilyn Monroe. Based on the novel by Michael Chabon, The Wonder Boys also features Robert Downey Jr., Rip Torn, and Richard Thomas. ~ Mark Deming, All Movie Guide

In this broad fish-out-of-water comedy, Nisi (Halle Berry) and Mickey (Natalie Desselle) are African-American women with two ambitions -- marry rich men who will give them lots of money, and open the world's first combination hair salon and soul food restaurant. However, eligible bachelors and business opportunities are in short supply in Decatur, Georgia, so when Nisi hears rapper Heavy D is auditioning dancers in Los Angeles for an upcoming video and concert tour, the pair hit the road for California. They fail the audition but are approached by a man named Antonio (Luigi Amodeo) with a business proposition. Antonio is the chauffeur for Mr. Blakemore (Martin Landau), a millionaire in poor health. As a young man, Mr. Blakemore was in love with a black maid who worked in his household; Antonio and Blakemore's nephew Isaac (Jonathan Fried) think Nisi bears a resemblance to the girl Blakemore once loved, so they offer her a hefty payment plus room and board to pose as the granddaughter of Blakemore's lost love. Nisi and Mickey believe that this ruse is intended to make Blakemore feel better, but in fact Isaac wants to get his hands on his uncle's fortune, and he hopes that Nisi's presence will make him easier to manipulate. Meanwhile, Nisi and Mickey look like a hurricane that hit a cut-rate clothing store, so manservant Manley (Ian Richardson) teaches them social graces and gives them advice on how to dress. In time, Manley and Mr. Blakemore become friends with Nisi and Mickey; the men learn to be less stuffy and enjoy life, while the ladies become more respectable. B.A.P.S. stands for "Black American Princesses." ~ Mark Deming, All Movie Guide

Katharine Hepburn and Cary Grant star in this inspired comedy about a madcap heiress with a pet leopard who meets an absent-minded paleontologist and unwittingly makes a fiasco of both their lives. David Huxley (Grant) is the stuffy paleontologist who needs to finish an exhibit on dinosaurs and thus land a $1 million grant for his museum. At a golf outing with his potential benefactors, Huxley is spotted by Susan Vance (Hepburn) who decides that she must have the reserved scientist at all costs. She uses her pet leopard, Baby, to trick him into driving to her Connecticut home, where a dog wanders into Huxley's room and steals the vital last bone that he needs to complete his project. The real trouble begins when another leopard escapes from the local zoo and Baby is mistaken for it, leading Huxley and Susan into a series of harebrained and increasingly more insane schemes to save the cat from the authorities. Inevitably, the two end up in the local jail, where things get even more out of hand: Susan pretends to be the gun moll to David's diabolical, supposedly wanted criminal. Naturally, the mismatched pair falls in love through all the lunacy. Director Howard Hawks delivers a funny, fast-paced, and offbeat story, enlivened by animated performances from the two leads, in what has become a definitive screwball comedy. ~ Don Kaye, All Movie Guide

This whimsical fantasy about a local drunk's 6' 3 1/2" imaginary rabbit pal was a smash hit (and a Pulitzer Prize winner) on Broadway and was then adapted into this likeable farce that's also an allegory about tolerance. James Stewart stars as Elwood P. Dowd, a wealthy tippler whose sunny philosophy and inebriated antics are tolerated by most of the citizenry. That is, until Elwood begins claiming that he sees a "pooka," (a mischievous Irish spirit) which has taken the form of a man-sized bunny named Harvey. Although everyone is certain that Elwood has finally lost his mind, Harvey's presence begins to have magically positive effects on the townsfolk, with the exception of Elwood's own sister Veta (Josephine Hull), who, ironically, can also occasionally see Harvey. A snooty socialite, Veta is determined to marry off her daughter Myrtle (Victoria Horne) to somebody equally respectable, and Elwood's lunacy is interfering. When Veta attempts to have Elwood committed to an insane asylum, however, the result is that she is accidentally admitted instead of her brother. Then the institution's director, Dr. Chumley (Cecil Kellaway) begins seeing Harvey, too. Hull, who reprised her part from the stage production, won an Oscar and Golden Globe. ~ Karl Williams, All Movie Guide

A man who's devoted his life to running around on his woman finally meets his match in this comedy. Dray Jackson (Bill Bellamy) is a ladies' man par excellence, who never lets the fact that he has a girlfriend, Lisa (Lark Voorhies), get in the way of making time with as many other women as possible. As he spends a typical day going from house to house "visiting" a number of beautiful females, Dray fills his friends David (Pierre Edwards), Kilo (Jermaine Hopkins), and Spootie (A.J. Johnson) in on the finer points of the art of having as many ladies as you want without getting caught. Dray's sister Jenny (Natalie Desselle) and her friend Katrina (Mari Morrow) are at once disgusted and morbidly fascinated with Dray's cheerful, chronic infidelity, and since Jenny is studying anthropology, they decide that Dray's lifestyle would be a worthy subject for research. Deciding to see what would happen if Dray was really put to the test (and maybe teach him a lesson in the process), Jenny and Katrina throw a party, and they invite Dray -- and all the women whose telephone numbers appear in his address book. Max Julien, best known for his role as the ultra-smooth pimp in the blaxploitation classic The Mack, appears as Dray's lady-killing Uncle Fred. ~ Mark Deming, All Movie Guide

Frank Capra's seminal screwball comedy, which won all five major Academy Awards for 1934, is still as breezy and beguiling today. Claudette Colbert plays Ellie Andrews, a spoiled heiress who has married fortune-hunting aviator King Westley (Jameson Thomas), despite her father (Walter Connolly)'s objections. To keep Ellie from marrying this lothario, her father has been holding her prisoner aboard his yacht. But Ellie bolts from the yacht, swims ashore in her clothes, and eventually slips onto a Greyhound bus bound for New York. Aboard the bus is newspaper reporter Peter Warne (Clark Gable), who has recently been fired for drinking on the job. Peter gets the last seat on the bus -- but when he gets up to argue with the bus driver, Ellie takes his seat. Since it is the last seat on the bus, they have to share it. When Ellie has her purse stolen and she refuses to report it, Peter begins to suspect something. The next morning, they both miss the bus after a leisurely breakfast, and Peter reveals that he knows her identity. She makes a deal with him: if he helps her get to New York, he can write a scoop about her for his paper. Peter thinks she is a spoiled brat, however, and refuses a monetary bribe: "I'm not interested in your money or your problem. You, King Westley, your father -- you're all a lot of hooey to me!" But as they travel northward and engage in a series of misadventures, the gruff newspaperman and the spoiled rich girl, thrown together by circumstances, fall in love with each other. This movie set the pace for the "screwball" comedy, the witty and romantic clash of temperaments between a man and a woman mismatched in both personality and social position, a type of movie often associated with Katherine Hepburn in such classics as Bringing Up Baby (1938), The Philadelphia Story (1940), and, with Spencer Tracy, Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957), among others. The only other movies to win all five major Academy Awards (Best Picture, Actor, Actress, Director, and Screenplay) were One Flew Over the Cuckoo's Nest (1975) and The Silence of the Lambs (1991). ~ Paul Brenner, All Movie Guide

In Hitchcock's rare foray into comedy (courtesy of a wittily risque script by Norman Krasna), Mr. Smith (Robert Montgomery) makes the mistake of telling Mrs. Smith (Carole Lombard) that if he had it to do all over again, he might not have married her. Shortly thereafter, Mr. Smith discovers that his marriage is invalid. Rather than say goodbye, the newly aroused Mr. Smith attempts to entice Mrs. Smith into the bedroom, thrilled at the prospect of an "illicit" romance. But Mrs. Smith has also been apprised that her marriage is no more--and, remembering Mr. Smith's "second thoughts", she kicks him out of the house. This comedy of misunderstanding rolls merrily along from this point onward, accommodating an uproarious scene at a fancy restaurant, a near-liaison between Mrs. Smith and new beau Gene Raymond on the World's Fair parachute jump, and a farcical denouement at a ski lodge, with Mrs. Smith's conjugally crossed skis symbolizing the carnal pleasures ahead for both Mr. and Mrs. Smith. ~ Hal Erickson, All Movie Guide